The Black Bull of Norroway recorded by Joseph Jacobs

The Black Bull of Norroway was first recorded by Joseph Jacobs, a famous folklorist, literary critic and historian, in his book More English Fairy Tales. In the Aarne-Thompson Tale Type Index. The Black Bull of Norroway is an Aarne-Thompson type 425A, a search for a missing husband. The tale is claimed by a number of cultures, including Celtic and Scottish.

The use of the word “Norroway” may point to the fact that many of the people who settled in Scotland were also from Scandinavia—Norway. However, the content of the story is typical of Scottish, not Scandinavian, folktales.

J.R.R Tolkein, author of The Lord of the Rings, cited the ending of The Black Bull of Norroway as an example of a eucasthrophe in his essay On Fairy-Stories.  Tolkein coined the word himself to mean a sudden turn of events at the end of a story which ensure that the protagonist does not meet some terrible, impending and very plausible doom.

 

 

Charles Perrault

Many people think Charles Perrault is the actual “author” of Cinderella. It is true that his version is the first to have the elements we consider today as the Cinderella story, the closest to the version produced by Walt Disney in 1950. His Cendrillon, or The Little Glass Slipper, was written in 1697, in French.

 

 

 

The Emperor’s New Clothes

“The Emperor’s New Clothes” (Danish: Kejserens nye Klæder) is a short tale by Hans Christian Andersen about two weavers who promise an Emperor a new suit of clothes that is invisible to those who are unfit for their positions, stupid, or incompetent. When the Emperor parades before his subjects in his new clothes, no one dares to say that he doesn’t see any suit of clothes until a child cries out, “But he isn’t wearing anything at all!” The tale has been translated into over a hundred languages.

“The Emperor’s New Clothes” was first published with “The Little Mermaid” in Copenhagen by C. A. Reitzel on 7 April 1837 as the third and final installment of Andersen’s Fairy Tales Told for Children. The tale has been adapted to various media, including the musical stage and animated film.

Andersen’s tale is based on a story from the Libro de los ejemplos (or El Conde Lucanor, 1335), a medieval Spanish collection of fifty-one cautionary tales with various sources such as Aesop and other classical writers and Persian folktales, by Juan Manuel, Prince of Villena (1282–1348). Andersen did not know the Spanish original but read the tale in a German translation titled “So ist der Lauf der Welt”. In the source tale, a king is hoodwinked by weavers who claim to make a suit of clothes invisible to any man not the son of his presumed father; whereas Andersen altered the source tale to direct the focus on courtly pride and intellectual vanity rather than adulterous paternity.

Andersen’s manuscript was at the printer’s when he was suddenly inspired to change the original climax of the tale from the emperor’s subjects admiring his invisible clothes to that of the child’s cry. There are many theories about why he made this change. Most scholars agree that from his earliest years in Copenhagen, Andersen presented himself to the Danish bourgeoisie as the naïvely precocious child not usually admitted to the adult salon. “The Emperor’s New Clothes” became his expose of the hypocrisy and snobbery he found there when he finally gained admission.

Andersen’s decision to change the ending may have occurred after he read the manuscript tale to a child, or had its source in a childhood incident similar to that in the tale. He later recalled standing in a crowd with his mother waiting to see King Frederick VI. When the king made his appearance, Andersen cried out, “Oh, he’s nothing more than a human being!” His mother tried to silence him by crying, “Have you gone mad, child?”. Whatever the reason, Andersen thought the change would prove more satirical.

“The Emperor’s New Clothes” was first published with “The Little Mermaid” on 7 April 1837 by C.A. Reitzel in Copenhagen as the third and final installment of the first collection of Andersen’s Fairy Tales Told for Children. The first two booklets of the collection were published in May and December 1835 and met with little critical enthusiasm. Andersen waited a year before publishing the third installment of the collection.

Traditional Danish tales as well as German and French folktales were regarded as a form of exotica in nineteenth century Denmark and were read aloud to select gatherings by celebrated actors of the day. Andersen’s tales eventually became a part of the repertoire and readings of “The Emperor’s New Clothes” became a specialty of and a big hit for the popular Danish actor Ludvig Phister.

On 1 July 1844, the Hereditary Grand Duke Carl Alexander held a literary soiree at Ettersburg in honor of Andersen. Tired by speaking various foreign languages and on the verge of vomiting after days of feasting, the author managed to control his body and read aloud “The Princess and the Pea”, “Little Ida’s Flowers”, and “The Emperor’s New Clothes”.

The phrase “emperor’s new clothes” has become an idiom about logical fallacies. The story may be explained by pluralistic ignorance. The story is about a situation where “no one believes, but everyone believes that everyone else believes. Or alternatively, everyone is ignorant to whether the Emperor has clothes on or not, but believes that everyone else is not ignorant.


The Emperor’s New Clothes

 New Clothes" image 1 Vilhelm Pedersen, artist

Hans-Christian Andersen’s “The Emperor’s New Clothes”
From “Eventyr,” 1850, Vilhelm Pedersen, Artist
From a gallery on Katrinahaney.com.

Many years ago there was an Emperor so exceedingly fond of new clothes that he spent all his money on being well dressed. He cared nothing about reviewing his soldiers, going to the theatre, or going for a ride in his carriage, except to show off his new clothes. He had a coat for every hour of the day, and instead of saying, as one might, about any other ruler, “The King’s in council,” here they always said. “The Emperor’s in his dressing room.”

In the great city where he lived, life was always gay. Every day many strangers came to town, and among them one day came two swindlers. They let it be known they were weavers, and they said they could weave the most magnificent fabrics imaginable. Not only were their colors and patterns uncommonly fine, but clothes made of this cloth had a wonderful way of becoming invisible to anyone who was unfit for his office, or who was unusually stupid.

“Those would be just the clothes for me,” thought the Emperor. “If I wore them I would be able to discover which men in my empire are unfit for their posts. And I could tell the wise men from the fools. Yes, I certainly must get some of the stuff woven for me right away.” He paid the two swindlers a large sum of money to start work at once.

They set up two looms and pretended to weave, though there was nothing on the looms. All the finest silk and the purest old thread which they demanded went into their traveling bags, while they worked the empty looms far into the night.

“I’d like to know how those weavers are getting on with the cloth,” the Emperor thought, but he felt slightly uncomfortable when he remembered that those who were unfit for their position would not be able to see the fabric. It couldn’t have been that he doubted himself, yet he thought he’d rather send someone else to see how things were going. The whole town knew about the cloth’s peculiar power, and all were impatient to find out how stupid their neighbors were.

“I’ll send my honest old minister to the weavers,” the Emperor decided. “He’ll be the best one to tell me how the material looks, for he’s a sensible man and no one does his duty better.”

So the honest old minister went to the room where the two swindlers sat working away at their empty looms.

“Heaven help me,” he thought as his eyes flew wide open, “I can’t see anything at all”. But he did not say so.

Both the swindlers begged him to be so kind as to come near to approve the excellent pattern, the beautiful colors. They pointed to the empty looms, and the poor old minister stared as hard as he dared. He couldn’t see anything, because there was nothing to see. “Heaven have mercy,” he thought. “Can it be that I’m a fool? I’d have never guessed it, and not a soul must know. Am I unfit to be the minister? It would never do to let on that I can’t see the cloth.”

“Don’t hesitate to tell us what you think of it,” said one of the weavers.

“Oh, it’s beautiful -it’s enchanting.” The old minister peered through his spectacles. “Such a pattern, what colors!” I’ll be sure to tell the Emperor how delighted I am with it.”

“We’re pleased to hear that,” the swindlers said. They proceeded to name all the colors and to explain the intricate pattern. The old minister paid the closest attention, so that he could tell it all to the Emperor. And so he did.

The swindlers at once asked for more money, more silk and gold thread, to get on with the weaving. But it all went into their pockets. Not a thread went into the looms, though they worked at their weaving as hard as ever.

The Emperor presently sent another trustworthy official to see how the work progressed and how soon it would be ready. The same thing happened to him that had happened to the minister. He looked and he looked, but as there was nothing to see in the looms he couldn’t see anything.

“Isn’t it a beautiful piece of goods?” the swindlers asked him, as they displayed and described their imaginary pattern.

“I know I’m not stupid,” the man thought, “so it must be that I’m unworthy of my good office. That’s strange. I mustn’t let anyone find it out, though.” So he praised the material he did not see. He declared he was delighted with the beautiful colors and the exquisite pattern. To the Emperor he said, “It held me spellbound.”

All the town was talking of this splendid cloth, and the Emperor wanted to see it for himself while it was still in the looms. Attended by a band of chosen men, among whom were his two old trusted officials-the ones who had been to the weavers-he set out to see the two swindlers. He found them weaving with might and main, but without a thread in their looms.

“Magnificent,” said the two officials already duped. “Just look, Your Majesty, what colors! What a design!” They pointed to the empty looms, each supposing that the others could see the stuff.

“What’s this?” thought the Emperor. “I can’t see anything. This is terrible!

Am I a fool? Am I unfit to be the Emperor? What a thing to happen to me of all people! – Oh! It’s very pretty,” he said. “It has my highest approval.” And he nodded approbation at the empty loom. Nothing could make him say that he couldn’t see anything.

His whole retinue stared and stared. One saw no more than another, but they all joined the Emperor in exclaiming, “Oh! It’s very pretty,” and they advised him to wear clothes made of this wonderful cloth especially for the great procession he was soon to lead. “Magnificent! Excellent! Unsurpassed!” were bandied from mouth to mouth, and everyone did his best to seem well pleased. The Emperor gave each of the swindlers a cross to wear in his buttonhole, and the title of “Sir Weaver.”

Before the procession the swindlers sat up all night and burned more than six candles, to show how busy they were finishing the Emperor’s new clothes. They pretended to take the cloth off the loom. They made cuts in the air with huge scissors. And at last they said, “Now the Emperor’s new clothes are ready for him.”

Then the Emperor himself came with his noblest noblemen, and the swindlers each raised an arm as if they were holding something. They said, “These are the trousers, here’s the coat, and this is the mantle,” naming each garment. “All of them are as light as a spider web. One would almost think he had nothing on, but that’s what makes them so fine.”

“Exactly,” all the noblemen agreed, though they could see nothing, for there was nothing to see.

“If Your Imperial Majesty will condescend to take your clothes off,” said the swindlers, “we will help you on with your new ones here in front of the long mirror.”

Hans Christian Andersen's "The Emperor's New Clothes" image 2 Vilhelm Pedersen, artist

Hans-Christian Andersen’s “The Emperor’s New Clothes”
From “Eventyr,” 1850, Vilhelm Pedersen, Artist
From a gallery on Katrinahaney.com.

The Emperor undressed, and the swindlers pretended to put his new clothes on him, one garment after another. They took him around the waist and seemed to be fastening something – that was his train-as the Emperor turned round and round before the looking glass.

“How well Your Majesty’s new clothes look. Aren’t they becoming!” He heard on all sides, “That pattern, so perfect! Those colors, so suitable! It is a magnificent outfit.”

Then the minister of public processions announced: “Your Majesty’s canopy is waiting outside.”

“Well, I’m supposed to be ready,” the Emperor said, and turned again for one last look in the mirror. “It is a remarkable fit, isn’t it?” He seemed to regard his costume with the greatest interest.

The noblemen who were to carry his train stooped low and reached for the floor as if they were picking up his mantle. Then they pretended to lift and hold it high. They didn’t dare admit they had nothing to hold.

So off went the Emperor in procession under his splendid canopy. Everyone in the streets and the windows said, “Oh, how fine are the Emperor’s new clothes! Don’t they fit him to perfection? And see his long train!” Nobody would confess that he couldn’t see anything, for that would prove him either unfit for his position, or a fool. No costume the Emperor had worn before was ever such a complete success.

“But he hasn’t got anything on,” a little child said.

“Did you ever hear such innocent prattle?” said its father. And one person whispered to another what the child had said, “He hasn’t anything on. A child says he hasn’t anything on.”

“But he hasn’t got anything on!” the whole town cried out at last.

The Emperor shivered, for he suspected they were right. But he thought, “This procession has got to go on.” So he walked more proudly than ever, as his noblemen held high the train that wasn’t there at all.


Hans-Christian-Andersen-The-Emperors-New-Clothes-Unknown-Artist2

Cultural References

Various adaptations of the tale have appeared since its first publication, including a 1919 Russian film directed by Yuri Zhelyabuzhsky, a 1987 musical starring Sid Caesar, and numerous short stories, plays, spoofs, and animated films.

In 1972, Rankin/Bass Productions adapted the tale as the first and only musical episode of the series “The Enchanted World of Danny Kaye” for the ABC network, featuring Danny Kaye, Cyril Ritchard, Imogene Coca, Allen Swift and Bob McFadden. The television special features eight songs with music by Maury Laws and lyrics by Jules Bass, and combines live action filmed in Aarhus, Denmark, animation, special effects and the stop motion animation process “Animagic” made in Japan.

In 1980, computer scientist C.A.R. Hoare used a parody tale, The Emperor’s Old Clothes, to advocate simplification over embellishment, for clothing or computer sorting algorithms.

In 1985, Jack Herer published the first edition of “The Emperor Wears No Clothes”. This book uncovers the history of industrial hemp through civilization, culminating to a propaganda campaign in the U.S. in the early 20th century. The book is now in its 11th edition.

The 1987 Japanese war documentary film The Emperor’s Naked Army Marches On, by director Kazuo Hara, centers on 62-year-old Kenzo Okuzaki, veteran of Japan’s Second World War campaign in New Guinea, and follows him around as he searches out those responsible for the unexplained deaths of two soldiers in his old unit.

In 2010, Chicago Shakespeare Theater commissioned a new family musical version written by Alan Schmuckler and Dave Holstein.


 Harry Clark’s Illustrations of The Emperor’s New Clothes

  • Hans Christian Andersen's "The Emperor's New Clothers" image 1 from "Fairy Tales by Hans Christian Andersen"- 1910, Harry Clark, Illustrator.

    Hans Christian Andersen's "The The Emperor's New Clothers Families"
    From "Fairy Tales by Hans Christian Andersen," 1910
    Harry Clark, Illustrator
    From a gallery on Katrinahaney.com.

  • Hans Christian Andersen's "The Emperor's New Clothers" image 2 from "Fairy Tales by Hans Christian Andersen"- 1910, Harry Clark, Illustrator.

    Hans Christian Andersen's "The The Emperor's New Clothers Families"
    From "Fairy Tales by Hans Christian Andersen," 1910
    Harry Clark, Illustrator
    From a gallery on Katrinahaney.com.


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This Fairy Tales page was created by Katrina Haney, author, creative writer, ghost writer and all-around content writer. Illustrations by Walter Crane from the Fairy Tales and Other Stories, 1874. Please feel free to save, print or share this post with your friends or social communities. For more Fairy Tales posts , as well as other awesome information about books, words, writing and reading, please visit Katrina’s website at www.katrinahaney.com.
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The Little Mermaid

Far out in the ocean the water is as blue as the petals of the loveliest cornflower, and as clear as the purest glass. But it is very deep too. It goes down deeper than any anchor rope will go, and many, many steeples would have to be stacked one on top of another to reach from the bottom to the surface of the sea. It is down there that the sea folk live.

Now don’t suppose that there are only bare white sands at the bottom of the sea. No indeed! The most marvelous trees and flowers grow down there, with such pliant stalks and leaves that the least stir in the water makes them move about as though they were alive. All sorts of fish, large and small, dart among the branches, just as birds flit through the trees up here. From the deepest spot in the ocean rises the palace of the sea king. Its walls are made of coral and its high pointed windows of the clearest amber, but the roof is made of mussel shells that open and shut with the tide. This is a wonderful sight to see, for every shell holds glistening pearls, any one of which would be the pride of a queen’s crown.

The sea king down there had been a widower for years, and his old mother kept house for him. She was a clever woman, but very proud of her noble birth. Therefore she flaunted twelve oysters on her tail while the other ladies of the court were only allowed to wear six. Except for this she was an altogether praiseworthy person, particularly so because she was extremely fond of her granddaughters, the little sea princesses. They were six lovely girls, but the youngest was the most beautiful of them all. Her skin was as soft and tender as a rose petal, and her eyes were as blue as the deep sea, but like all the others she had no feet. Her body ended in a fish tail.

The whole day long they used to play in the palace, down in the great halls where live flowers grew on the walls. Whenever the high amber windows were thrown open the fish would swim in, just as swallows dart into our rooms when we open the windows. But these fish, now, would swim right up to the little princesses to eat out of their hands and let themselves be petted.

Outside the palace was a big garden, with flaming red and deep-blue trees. Their fruit glittered like gold, and their blossoms flamed like fire on their constantly waving stalks. The soil was very fine sand indeed, but as blue as burning brimstone. A strange blue veil lay over everything down there. You would have thought yourself aloft in the air with only the blue sky above and beneath you, rather than down at the bottom of the sea. When there was a dead calm, you could just see the sun, like a scarlet flower with light streaming from its calyx.

Each little princess had her own small garden plot, where she could dig and plant whatever she liked. One of them made her little flower bed in the shape of a whale, another thought it neater to shape hers like a little mermaid, but the youngest of them made hers as round as the sun, and there she grew only flowers which were as red as the sun itself. She was an unusual child, quiet and wistful, and when her sisters decorated their gardens with all kinds of odd things they had found in sunken ships, she would allow nothing in hers except flowers as red as the sun, and a pretty marble statue. This figure of a handsome boy, carved in pure white marble, had sunk down to the bottom of the sea from some ship that was wrecked. Beside the statue she planted a rose-colored weeping willow tree, which thrived so well that its graceful branches shaded the statue and hung down to the blue sand, where their shadows took on a violet tint, and swayed as the branches swayed. It looked as if the roots and the tips of the branches were kissing each other in play.

Nothing gave the youngest princess such pleasure as to hear about the world of human beings up above them. Her old grandmother had to tell her all she knew about ships and cities, and of people and animals. What seemed nicest of all to her was that up on land the flowers were fragrant, for those at the bottom of the sea had no scent. And she thought it was nice that the woods were green, and that the fish you saw among their branches could sing so loud and sweet that it was delightful to hear them. Her grandmother had to call the little birds “fish,” or the princess would not have known what she was talking about, for she had never seen a bird.

“When you get to be fifteen,” her grandmother said, “you will be allowed to rise up out of the ocean and sit on the rocks in the moonlight, to watch the great ships sailing by. You will see woods and towns, too.”

Next year one of her sisters would be fifteen, but the others – well, since each was a whole year older than the next the youngest still had five long years to wait until she could rise up from the water and see what our world was like. But each sister promised to tell the others about all that she saw, and what she found most marvelous on her first day. Their grandmother had not told them half enough, and there were so many thing that they longed to know about.

The most eager of them all was the youngest, the very one who was so quiet and wistful. Many a night she stood by her open window and looked up through the dark blue water where the fish waved their fins and tails. She could just see the moon and stars. To be sure, their light was quite dim, but looked at through the water they seemed much bigger than they appear to us. Whenever a cloud-like shadow swept across them, she knew that it was either a whale swimming overhead, or a ship with many human beings aboard it. Little did they dream that a pretty young mermaid was down below, stretching her white arms up toward the keel of their ship.

The eldest princess had her fifteenth birthday, so now she received permission to rise up out of the water. When she got back she had a hundred things to tell her sisters about, but the most marvelous thing of all, she said, was to lie on a sand bar in the moonlight, when the sea was calm, and to gaze at the large city on the shore, where the lights twinkled like hundreds of stars; to listen to music; to hear the chatter and clamor of carriages and people; to see so many church towers and spires; and to hear the ringing bells. Because she could not enter the city, that was just what she most dearly longed to do.

Oh, how intently the youngest sister listened. After this, whenever she stood at her open window at night and looked up through the dark blue waters, she thought of that great city with all of its clatter and clamor, and even fancied that in these depths she could hear the church bells ring.

The next year, her second sister had permission to rise up to the surface and swim wherever she pleased. She came up just at sunset, and she said that this spectacle was the most marvelous sight she had ever seen. The heavens had a golden glow, and as for the clouds – she could not find words to describe their beauty. Splashed with red and tinted with violet, they sailed over her head. But much faster than the sailing clouds were wild swans in a flock. Like a long white veil trailing above the sea, they flew toward the setting sun. She too swam toward it, but down it went, and all the rose-colored glow faded from the sea and sky.

The following year, her third sister ascended, and as she was the boldest of them all she swam up a broad river that flowed into the ocean. She saw gloriously green, vine-colored hills. Palaces and manor houses could be glimpsed through the splendid woods. She heard all the birds sing, and the sun shone so brightly that often she had to dive under the water to cool her burning face. In a small cove she found a whole school of mortal children, paddling about in the water quite naked. She wanted to play with them, but they took fright and ran away. Then along came a little black animal – it was a dog, but she had never seen a dog before. It barked at her so ferociously that she took fright herself, and fled to the open sea. But never could she forget the splendid woods, the green hills, and the nice children who could swim in the water although they didn’t wear fish tails.

The fourth sister was not so venturesome. She stayed far out among the rough waves, which she said was a marvelous place. You could see all around you for miles and miles, and the heavens up above you were like a vast dome of glass. She had seen ships, but they were so far away that they looked like sea gulls. Playful dolphins had turned somersaults, and monstrous whales had spouted water through their nostrils so that it looked as if hundreds of fountains were playing all around them.

Now the fifth sister had her turn. Her birthday came in the wintertime, so she saw things that none of the others had seen. The sea was a deep green color, and enormous icebergs drifted about. Each one glistened like a pearl, she said, but they were more lofty than any church steeple built by man. They assumed the most fantastic shapes, and sparkled like diamonds. She had seated herself on the largest one, and all the ships that came sailing by sped away as soon as the frightened sailors saw her there with her long hair blowing in the wind.

In the late evening clouds filled the sky. Thunder cracked and lightning darted across the heavens. Black waves lifted those great bergs of ice on high, where they flashed when the lightning struck.

On all the ships the sails were reefed and there was fear and trembling. But quietly she sat there, upon her drifting iceberg, and watched the blue forked lightning strike the sea.

Each of the sisters took delight in the lovely new sights when she first rose up to the surface of the sea. But when they became grown-up girls, who were allowed to go wherever they liked, they became indifferent to it. They would become homesick, and in a month they said that there was no place like the bottom of the sea, where they felt so completely at home.

On many an evening the older sisters would rise to the surface, arm in arm, all five in a row. They had beautiful voices, more charming than those of any mortal beings. When a storm was brewing, and they anticipated a shipwreck, they would swim before the ship and sing most seductively of how beautiful it was at the bottom of the ocean, trying to overcome the prejudice that the sailors had against coming down to them. But people could not understand their song, and mistook it for the voice of the storm. Nor was it for them to see the glories of the deep. When their ship went down they were drowned, and it was as dead men that they reached the sea king’s palace.

On the evenings when the mermaids rose through the water like this, arm in arm, their youngest sister stayed behind all alone, looking after them and wanting to weep. But a mermaid has no tears, and therefore she suffers so much more.

“Oh, how I do wish I were fifteen!” she said. “I know I shall love that world up there and all the people who live in it.”

And at last she too came to be fifteen.

“Now I’ll have you off my hands,” said her grandmother, the old queen dowager. “Come, let me adorn you like your sisters.” In the little maid’s hair she put a wreath of white lilies, each petal of which was formed from half of a pearl. And the old queen let eight big oysters fasten themselves to the princess’s tail, as a sign of her high rank.

“But that hurts!” said the little mermaid.

“You must put up with a good deal to keep up appearances,” her grandmother told her.

Oh, how gladly she would have shaken off all these decorations, and laid aside the cumbersome wreath! The red flowers in her garden were much more becoming to her, but she didn’t dare to make any changes. “Good-by,” she said, and up she went through the water, as light and as sparkling as a bubble.

The sun had just gone down when her head rose above the surface, but the clouds still shone like gold and roses, and in the delicately tinted sky sparkled the clear gleam of the evening star. The air was mild and fresh and the sea unruffled. A great three-master lay in view with only one of all its sails set, for there was not even the whisper of a breeze, and the sailors idled about in the rigging and on the yards. There was music and singing on the ship, and as night came on they lighted hundreds of such brightly colored lanterns that one might have thought the flags of all nations were swinging in the air.

The little mermaid swam right up to the window of the main cabin, and each time she rose with the swell she could peep in through the clear glass panes at the crowd of brilliantly dressed people within. The handsomest of them all was a young Prince with big dark eyes. He could not be more than sixteen years old. It was his birthday and that was the reason for all the celebration. Up on deck the sailors were dancing, and when the Prince appeared among them a hundred or more rockets flew through the air, making it as bright as day. These startled the little mermaid so badly that she ducked under the water. But she soon peeped up again, and then it seemed as if all the stars in the sky were falling around her. Never had she seen such fireworks. Great suns spun around, splendid fire-fish floated through the blue air, and all these things were mirrored in the crystal clear sea. It was so brilliantly bright that you could see every little rope of the ship, and the people could be seen distinctly. Oh, how handsome the young Prince was! He laughed, and he smiled and shook people by the hand, while the music rang out in the perfect evening.

It got very late, but the little mermaid could not take her eyes off the ship and the handsome Prince. The brightly colored lanterns were put out, no more rockets flew through the air, and no more cannon boomed. But there was a mutter and rumble deep down in the sea, and the swell kept bouncing her up so high that she could look into the cabin.

Now the ship began to sail. Canvas after canvas was spread in the wind, the waves rose high, great clouds gathered, and lightning flashed in the distance. Ah, they were in for a terrible storm, and the mariners made haste to reef the sails. The tall ship pitched and rolled as it sped through the angry sea. The waves rose up like towering black mountains, as if they would break over the masthead, but the swan-like ship plunged into the valleys between such waves, and emerged to ride their lofty heights. To the little mermaid this seemed good sport, but to the sailors it was nothing of the sort. The ship creaked and labored, thick timbers gave way under the heavy blows, waves broke over the ship, the mainmast snapped in two like a reed, the ship listed over on its side, and water burst into the hold.

Now the little mermaid saw that people were in peril, and that she herself must take care to avoid the beams and wreckage tossed about by the sea. One moment it would be black as pitch, and she couldn’t see a thing. Next moment the lightning would flash so brightly that she could distinguish every soul on board. Everyone was looking out for himself as best he could. She watched closely for the young Prince, and when the ship split in two she saw him sink down in the sea. At first she was overjoyed that he would be with her, but then she recalled that human people could not live under the water, and he could only visit her father’s palace as a dead man. No, he should not die! So she swam in among all the floating planks and beams, completely forgetting that they might crush her. She dived through the waves and rode their crests, until at length she reached the young Prince, who was no longer able to swim in that raging sea. His arms and legs were exhausted, his beautiful eyes were closing, and he would have died if the little mermaid had not come to help him. She held his head above water, and let the waves take them wherever the waves went.

At daybreak, when the storm was over, not a trace of the ship was in view. The sun rose out of the waters, red and bright, and its beams seemed to bring the glow of life back to the cheeks of the Prince, but his eyes remained closed. The mermaid kissed his high and shapely forehead. As she stroked his wet hair in place, it seemed to her that he looked like that marble statue in her little garden. She kissed him again and hoped that he would live.

She saw dry land rise before her in high blue mountains, topped with snow as glistening white as if a flock of swans were resting there. Down by the shore were splendid green woods, and in the foreground stood a church, or perhaps a convent; she didn’t know which, but anyway it was a building. Orange and lemon trees grew in its garden, and tall palm trees grew beside the gateway. Here the sea formed a little harbor, quite calm and very deep. Fine white sand had been washed up below the cliffs. She swam there with the handsome Prince, and stretched him out on the sand, taking special care to pillow his head up high in the warm sunlight.

The bells began to ring in the great white building, and a number of young girls came out into the garden. The little mermaid swam away behind some tall rocks that stuck out of the water. She covered her hair and her shoulders with foam so that no one could see her tiny face, and then she watched to see who would find the poor Prince.

In a little while one of the young girls came upon him. She seemed frightened, but only for a minute; then she called more people. The mermaid watched the Prince regain consciousness, and smile at everyone around him. But he did not smile at her, for he did not even know that she had saved him. She felt very unhappy, and when they led him away to the big building she dived sadly down into the water and returned to her father’s palace.

She had always been quiet and wistful, and now she became much more so. Her sisters asked her what she had seen on her first visit up to the surface, but she would not tell them a thing.

Many evenings and many mornings she revisited the spot where she had left the Prince. She saw the fruit in the garden ripened and harvested, and she saw the snow on the high mountain melted away, but she did not see the Prince, so each time she came home sadder than she had left. It was her one consolation to sit in her little garden and throw her arms about the beautiful marble statue that looked so much like the Prince. But she took no care of her flowers now. They overgrew the paths until the place was a wilderness, and their long stalks and leaves became so entangled in the branches of the tree that it cast a gloomy shade.

Finally she couldn’t bear it any longer. She told her secret to one of her sisters. Immediately all the other sisters heard about it. No one else knew, except a few more mermaids who told no one – except their most intimate friends. One of these friends knew who the Prince was. She too had seen the birthday celebration on the ship. She knew where he came from and where his kingdom was.

“Come, little sister!” said the other princesses. Arm in arm, they rose from the water in a long row, right in front of where they knew the Prince’s palace stood. It was built of pale, glistening, golden stone with great marble staircases, one of which led down to the sea. Magnificent gilt domes rose above the roof, and between the pillars all around the building were marble statues that looked most lifelike. Through the clear glass of the lofty windows one could see into the splendid halls, with their costly silk hangings and tapestries, and walls covered with paintings that were delightful to behold. In the center of the main hall a large fountain played its columns of spray up to the glass-domed roof, through which the sun shone down on the water and upon the lovely plants that grew in the big basin.

Now that she knew where he lived, many an evening and many a night she spent there in the sea. She swam much closer to shore than any of her sisters would dare venture, and she even went far up a narrow stream, under the splendid marble balcony that cast its long shadow in the water. Here she used to sit and watch the young Prince when he thought himself quite alone in the bright moonlight.

On many evenings she saw him sail out in his fine boat, with music playing and flags a-flutter. She would peep out through the green rushes, and if the wind blew her long silver veil, anyone who saw it mistook it for a swan spreading its wings.

On many nights she saw the fishermen come out to sea with their torches, and heard them tell about how kind the young Prince was. This made her proud to think that it was she who had saved his life when he was buffeted about, half dead among the waves. And she thought of how softly his head had rested on her breast, and how tenderly she had kissed him, though he knew nothing of all this nor could he even dream of it.

Increasingly she grew to like human beings, and more and more she longed to live among them. Their world seemed so much wider than her own, for they could skim over the sea in ships, and mount up into the lofty peaks high over the clouds, and their lands stretched out in woods and fields farther than the eye could see. There was so much she wanted to know. Her sisters could not answer all her questions, so she asked her old grandmother, who knew about the “upper world,” which was what she said was the right name for the countries above the sea.

“If men aren’t drowned,” the little mermaid asked, “do they live on forever? Don’t they die, as we do down here in the sea?”

“Yes,” the old lady said, “they too must die, and their lifetimes are even shorter than ours. We can live to be three hundred years old, but when we perish we turn into mere foam on the sea, and haven’t even a grave down here among our dear ones. We have no immortal soul, no life hereafter. We are like the green seaweed – once cut down, it never grows again. Human beings, on the contrary, have a soul which lives forever, long after their bodies have turned to clay. It rises through thin air, up to the shining stars. Just as we rise through the water to see the lands on earth, so men rise up to beautiful places unknown, which we shall never see.”

“Why weren’t we given an immortal soul?” the little mermaid sadly asked. “I would gladly give up my three hundred years if I could be a human being only for a day, and later share in that heavenly realm.”

“You must not think about that,” said the old lady. “We fare much more happily and are much better off than the folk up there.”

“Then I must also die and float as foam upon the sea, not hearing the music of the waves, and seeing neither the beautiful flowers nor the red sun! Can’t I do anything at all to win an immortal soul?”

“No,” her grandmother answered, “not unless a human being loved you so much that you meant more to him than his father and mother. If his every thought and his whole heart cleaved to you so that he would let a priest join his right hand to yours and would promise to be faithful here and throughout all eternity, then his soul would dwell in your body, and you would share in the happiness of mankind. He would give you a soul and yet keep his own. But that can never come to pass. The very thing that is your greatest beauty here in the sea – your fish tail – would be considered ugly on land. They have such poor taste that to be thought beautiful there you have to have two awkward props which they call legs.”

The little mermaid sighed and looked unhappily at her fish tail.

“Come, let us be gay!” the old lady said. “Let us leap and bound throughout the three hundred years that we have to live. Surely that is time and to spare, and afterwards we shall be glad enough to rest in our graves. – We are holding a court ball this evening.”

This was a much more glorious affair than is ever to be seen on earth. The walls and the ceiling of the great ballroom were made of massive but transparent glass. Many hundreds of huge rose-red and grass-green shells stood on each side in rows, with the blue flames that burned in each shell illuminating the whole room and shining through the walls so clearly that it was quite bright in the sea outside. You could see the countless fish, great and small, swimming toward the glass walls. On some of them the scales gleamed purplish-red, while others were silver and gold. Across the floor of the hall ran a wide stream of water, and upon this the mermaids and mermen danced to their own entrancing songs. Such beautiful voices are not to be heard among the people who live on land. The little mermaid sang more sweetly than anyone else, and everyone applauded her. For a moment her heart was happy, because she knew she had the loveliest voice of all, in the sea or on the land. But her thoughts soon strayed to the world up above. She could not forget the charming Prince, nor her sorrow that she did not have an immortal soul like his. Therefore she stole out of her father’s palace and, while everything there was song and gladness, she sat sadly in her own little garden.

Then she heard a bugle call through the water, and she thought, “That must mean he is sailing up there, he whom I love more than my father or mother, he of whom I am always thinking, and in whose hands I would so willingly trust my lifelong happiness. I dare do anything to win him and to gain an immortal soul. While my sisters are dancing here, in my father’s palace, I shall visit the sea witch of whom I have always been so afraid. Perhaps she will be able to advise me and help me.”

The little mermaid set out from her garden toward the whirlpools that raged in front of the witch’s dwelling. She had never gone that way before. No flowers grew there, nor any seaweed. Bare and gray, the sands extended to the whirlpools, where like roaring mill wheels the waters whirled and snatched everything within their reach down to the bottom of the sea. Between these tumultuous whirlpools she had to thread her way to reach the witch’s waters, and then for a long stretch the only trail lay through a hot seething mire, which the witch called her peat marsh. Beyond it her house lay in the middle of a weird forest, where all the trees and shrubs were polyps, half animal and half plant. They looked like hundred-headed snakes growing out of the soil. All their branches were long, slimy arms, with fingers like wriggling worms. They squirmed, joint by joint, from their roots to their outermost tentacles, and whatever they could lay hold of they twined around and never let go. The little mermaid was terrified, and stopped at the edge of the forest. Her heart thumped with fear and she nearly turned back, but then she remembered the Prince and the souls that men have, and she summoned her courage. She bound her long flowing locks closely about her head so that the polyps could not catch hold of them, folded her arms across her breast, and darted through the water like a fish, in among the slimy polyps that stretched out their writhing arms and fingers to seize her. She saw that every one of them held something that it had caught with its hundreds of little tentacles, and to which it clung as with strong hoops of steel. The white bones of men who had perished at sea and sunk to these depths could be seen in the polyps’ arms. Ships’ rudders, and seamen’s chests, and the skeletons of land animals had also fallen into their clutches, but the most ghastly sight of all was a little mermaid whom they had caught and strangled.

She reached a large muddy clearing in the forest, where big fat water snakes slithered about, showing their foul yellowish bellies. In the middle of this clearing was a house built of the bones of shipwrecked men, and there sat the sea witch, letting a toad eat out of her mouth just as we might feed sugar to a little canary bird. She called the ugly fat water snakes her little chickabiddies, and let them crawl and sprawl about on her spongy bosom.

“I know exactly what you want,” said the sea witch. “It is very foolish of you, but just the same you shall have your way, for it will bring you to grief, my proud princess. You want to get rid of your fish tail and have two props instead, so that you can walk about like a human creature, and have the young Prince fall in love with you, and win him and an immortal soul besides.” At this, the witch gave such a loud cackling laugh that the toad and the snakes were shaken to the ground, where they lay writhing.

“You are just in time,” said the witch. “After the sun comes up tomorrow, a whole year would have to go by before I could be of any help to you. J shall compound you a draught, and before sunrise you must swim to the shore with it, seat yourself on dry land, and drink the draught down. Then your tail will divide and shrink until it becomes what the people on earth call a pair of shapely legs. But it will hurt; it will feel as if a sharp sword slashed through you. Everyone who sees you will say that you are the most graceful human being they have ever laid eyes on, for you will keep your gliding movement and no dancer will be able to tread as lightly as you. But every step you take will feel as if you were treading upon knife blades so sharp that blood must flow. I am willing to help you, but are you willing to suffer all this?”

“Yes,” the little mermaid said in a trembling voice, as she thought of the Prince and of gaining a human soul.

“Remember!” said the witch. “Once you have taken a human form, you can never be a mermaid again. You can never come back through the waters to your sisters, or to your father’s palace. And if you do not win the love of the Prince so completely that for your sake he forgets his father and mother, cleaves to you with his every thought and his whole heart, and lets the priest join your hands in marriage, then you will win no immortal soul. If he marries someone else, your heart will break on the very next morning, and you will become foam of the sea.”

“I shall take that risk,” said the little mermaid, but she turned as pale as death.

“Also, you will have to pay me,” said the witch, “and it is no trifling price that I’m asking. You have the sweetest voice of anyone down here at the bottom of the sea, and while I don’t doubt that you would like to captivate the Prince with it, you must give this voice to me. I will take the very best thing that you have, in return for my sovereign draught. I must pour my own blood in it to make the drink as sharp as a two-edged sword.”

“But if you take my voice,” said the little mermaid, “what will be left to me?”

“Your lovely form,” the witch told her, “your gliding movements, and your eloquent eyes. With these you can easily enchant a human heart. Well, have you lost your courage? Stick out your little tongue and I shall cut it off. I’ll have my price, and you shall have the potent draught.”

“Go ahead,” said the little mermaid.

The witch hung her caldron over the flames, to brew the draught. “Cleanliness is a good thing,” she said, as she tied her snakes in a knot and scoured out the pot with them. Then she pricked herself in the chest and let her black blood splash into the caldron. Steam swirled up from it, in such ghastly shapes that anyone would have been terrified by them. The witch constantly threw new ingredients into the caldron, and it started to boil with a sound like that of a crocodile shedding tears. When the draught was ready at last, it looked as clear as the purest water.

“There’s your draught,” said the witch. And she cut off the tongue of the little mermaid, who now was dumb and could neither sing nor talk.

“If the polyps should pounce on you when you walk back through my wood,” the witch said, “just spill a drop of this brew upon them and their tentacles will break in a thousand pieces.” But there was no need of that, for the polyps curled up in terror as soon as they saw the bright draught. It glittered in the little mermaid’s hand as if it were a shining star. So she soon traversed the forest, the marsh, and the place of raging whirlpools.

She could see her father’s palace. The lights had been snuffed out in the great ballroom, and doubtless everyone in the palace was asleep, but she dared not go near them, now that she was stricken dumb and was leaving her home forever. Her heart felt as if it would break with grief. She tip-toed into the garden, took one flower from each of her sisters’ little plots, blew a thousand kisses toward the palace, and then mounted up through the dark blue sea.

The sun had not yet risen when she saw the Prince’s palace. As she climbed his splendid marble staircase, the moon was shining clear. The little mermaid swallowed the bitter, fiery draught, and it was as if a two-edged sword struck through her frail body. She swooned away, and lay there as if she were dead. When the sun rose over the sea she awoke and felt a flash of pain, but directly in front of her stood the handsome young Prince, gazing at her with his coal-black eyes. Lowering her gaze, she saw that her fish tail was gone, and that she had the loveliest pair of white legs any young maid could hope to have. But she was naked, so she clothed herself in her own long hair.

The Prince asked who she was, and how she came to be there. Her deep blue eyes looked at him tenderly but very sadly, for she could not speak. Then he took her hand and led her into his palace. Every footstep felt as if she were walking on the blades and points of sharp knives, just as the witch had foretold, but she gladly endured it. She moved as lightly as a bubble as she walked beside the Prince. He and all who saw her marveled at the grace of her gliding walk.

Once clad in the rich silk and muslin garments that were provided for her, she was the loveliest person in all the palace, though she was dumb and could neither sing nor speak. Beautiful slaves, attired in silk and cloth of gold, came to sing before the Prince and his royal parents. One of them sang more sweetly than all the others, and when the Prince smiled at her and clapped his hands, the little mermaid felt very unhappy, for she knew that she herself used to sing much more sweetly.

“Oh,” she thought, “if he only knew that I parted with my voice forever so that I could be near him.”

Graceful slaves now began to dance to the most wonderful music. Then the little mermaid lifted her shapely white arms, rose up on the tips of her toes, and skimmed over the floor. No one had ever danced so well. Each movement set off her beauty to better and better advantage, and her eyes spoke more directly to the heart than any of the singing slaves could do.

She charmed everyone, and especially the Prince, who called her his dear little foundling. She danced time and again, though every time she touched the floor she felt as if she were treading on sharp-edged steel. The Prince said he would keep her with him always, and that she was to have a velvet pillow to sleep on outside his door.

He had a page’s suit made for her, so that she could go with him on horseback. They would ride through the sweet scented woods, where the green boughs brushed her shoulders, and where the little birds sang among the fluttering leaves.

She climbed up high mountains with the Prince, and though her tender feet bled so that all could see it, she only laughed and followed him on until they could see the clouds driving far below, like a flock of birds in flight to distant lands.

At home in the Prince’s palace, while the others slept at night, she would go down the broad marble steps to cool her burning feet in the cold sea water, and then she would recall those who lived beneath the sea. One night her sisters came by, arm in arm, singing sadly as they breasted the waves. When she held out her hands toward them, they knew who she was, and told her how unhappy she had made them all. They came to see her every night after that, and once far, far out to sea, she saw her old grandmother, who had not been up to the surface this many a year. With her was the sea king, with his crown upon his head. They stretched out their hands to her, but they did not venture so near the land as her sisters had.

Day after day she became more dear to the Prince, who loved her as one would love a good little child, but he never thought of making her his Queen. Yet she had to be his wife or she would never have an immortal soul, and on the morning after his wedding she would turn into foam on the waves.

“Don’t you love me best of all?” the little mermaid’s eyes seemed to question him, when he took her in his arms and kissed her lovely forehead.

“Yes, you are most dear to me,” said the Prince, “for you have the kindest heart. You love me more than anyone else does, and you look so much like a young girl I once saw but never shall find again. I was on a ship that was wrecked, and the waves cast me ashore near a holy temple, where many young girls performed the rituals. The youngest of them found me beside the sea and saved my life. Though I saw her no more than twice, she is the only person in all the world whom I could love. But you are so much like her that you almost replace the memory of her in my heart. She belongs to that holy temple, therefore it is my good fortune that I have you. We shall never part.”

“Alas, he doesn’t know it was I who saved his life,” the little mermaid thought. “I carried him over the sea to the garden where the temple stands. I hid behind the foam and watched to see if anyone would come. I saw the pretty maid he loves better than me.” A sigh was the only sign of her deep distress, for a mermaid cannot cry. “He says that the other maid belongs to the holy temple. She will never come out into the world, so they will never see each other again. It is I who will care for him, love him, and give all my life to him.”

Now rumors arose that the Prince was to wed the beautiful daughter of a neighboring King, and that it was for this reason he was having such a superb ship made ready to sail. The rumor ran that the Prince’s real interest in visiting the neighboring kingdom was to see the King’s daughter, and that he was to travel with a lordly retinue. The little mermaid shook her head and smiled, for she knew the Prince’s thoughts far better than anyone else did.

“I am forced to make this journey,” he told her. “I must visit the beautiful Princess, for this is my parents’ wish, but they would not have me bring her home as my bride against my own will, and I can never love her. She does not resemble the lovely maiden in the temple, as you do, and if I were to choose a bride, I would sooner choose you, my dear mute foundling with those telling eyes of yours.” And he kissed her on the mouth, fingered her long hair, and laid his head against her heart so that she came to dream of mortal happiness and an immortal soul.

“I trust you aren’t afraid of the sea, my silent child ‘ he said, as they went on board the magnificent vessel that was to carry them to the land of the neighboring King. And he told her stories of storms, of ships becalmed, of strange deep-sea fish, and of the wonders that divers have seen. She smiled at such stories, for no one knew about the bottom of the sea as well as she did.

In the clear moonlight, when everyone except the man at the helm was asleep, she sat on the side of the ship gazing down through the transparent water, and fancied she could catch glimpses of her father’s palace. On the topmost tower stood her old grandmother, wearing her silver crown and looking up at the keel of the ship through the rushing waves. Then her sisters rose to the surface, looked at her sadly, and wrung their white hands. She smiled and waved, trying to let them know that all went well and that she was happy. But along came the cabin boy, and her sisters dived out of sight so quickly that the boy supposed the flash of white he had seen was merely foam on the sea.

Next morning the ship came in to the harbor of the neighboring King’s glorious city. All the church bells chimed, and trumpets were sounded from all the high towers, while the soldiers lined up with flying banners and glittering bayonets. Every day had a new festivity, as one ball or levee followed another, but the Princess was still to appear. They said she was being brought up in some far-away sacred temple, where she was learning every royal virtue. But she came at last.

The little mermaid was curious to see how beautiful this Princess was, and she had to grant that a more exquisite figure she had never seen. The Princess’s skin was clear and fair, and behind the long, dark lashes her deep blue eyes were smiling and devoted.

“It was you!” the Prince cried. “You are the one who saved me when I lay like a dead man beside the sea.” He clasped the blushing bride of his choice in his arms. “Oh, I am happier than a man should be!” he told his little mermaid. “My fondest dream – that which I never dared to hope – has come true. You will share in my great joy, for you love me more than anyone does.”

The little mermaid kissed his hand and felt that her heart was beginning to break. For the morning after his wedding day would see her dead and turned to watery foam.

All the church bells rang out, and heralds rode through the streets to announce the wedding. Upon every altar sweet-scented oils were burned in costly silver lamps. The priests swung their censers, the bride and the bridegroom joined their hands, and the bishop blessed their marriage. The little mermaid, clothed in silk and cloth of gold, held the bride’s train, but she was deaf to the wedding march and blind to the holy ritual. Her thought turned on her last night upon earth, and on all she had lost in this world.

That same evening, the bride and bridegroom went aboard the ship. Cannon thundered and banners waved. On the deck of the ship a royal pavilion of purple and gold was set up, and furnished with luxurious cushions. Here the wedded couple were to sleep on that calm, clear night. The sails swelled in the breeze, and the ship glided so lightly that it scarcely seemed to move over the quiet sea. All nightfall brightly colored lanterns were lighted, and the mariners merrily danced on the deck. The little mermaid could not forget that first time she rose from the depths of the sea and looked on at such pomp and happiness. Light as a swallow pursued by his enemies, she joined in the whirling dance. Everyone cheered her, for never had she danced so wonderfully. Her tender feet felt as if they were pierced by daggers, but she did not feel it. Her heart suffered far greater pain. She knew that this was the last evening that she ever would see him for whom she had forsaken her home and family, for whom she had sacrificed her lovely voice and suffered such constant torment, while he knew nothing of all these things. It was the last night that she would breathe the same air with him, or look upon deep waters or the star fields of the blue sky. A never-ending night, without thought and without dreams, awaited her who had no soul and could not get one. The merrymaking lasted long after midnight, yet she laughed and danced on despite the thought of death she carried in her heart. The Prince kissed his beautiful bride and she toyed with his coal-black hair. Hand in hand, they went to rest in the magnificent pavilion.

A hush came over the ship. Only the helmsman remained on deck as the little mermaid leaned her white arms on the bulwarks and looked to the east to see the first red hint of daybreak, for she knew that the first flash of the sun would strike her dead. Then she saw her sisters rise up among the waves. They were as pale as she, and there was no sign of their lovely long hair that the breezes used to blow. It had all been cut off.

‘We have given our hair to the witch,” they said, “so that she would send you help, and save you from death tonight. She gave us a knife. Here it is. See the sharp blade! Before the sun rises, you must strike it into the Prince’s heart, and when his warm blood bathes your feet they will grow together and become a fish tail. Then you will be a mermaid again, able to come back to us in the sea, and live out your three hundred years before you die and turn into dead salt sea foam. Make haste! He or you must die before sunrise. Our old grandmother is so grief-stricken that her white hair is falling fast, just as ours did under the witch’s scissors. Kill the Prince and come back to us. Hurry! Hurry! See that red glow in the heavens! In a few minutes the sun will rise and you must die.” So saying, they gave a strange deep sigh and sank beneath the waves.

The little mermaid parted the purple curtains of the tent and saw the beautiful bride asleep with her head on the Prince’s breast. The mermaid bent down and kissed his shapely forehead. She looked at the sky, fast reddening for the break of day. She looked at the sharp knife and again turned her eyes toward the Prince, who in his sleep murmured the name of his bride. His thoughts were all for her, and the knife blade trembled in the mermaid’s hand. But then she flung it from her, far out over the waves. Where it fell the waves were red, as if bubbles of blood seethed in the water. With eyes already glazing she looked once more at the Prince, hurled herself over the bulwarks into the sea, and felt her body dissolve in foam.

The sun rose up from the waters. Its beams fell, warm and kindly, upon the chill sea foam, and the little mermaid did not feel the hand of death. In the bright sunlight overhead,she saw hundreds of fair ethereal beings. They were so transparent that through them she could see the ship’s white sails and the red clouds in the sky. Their voices were sheer music, but so spirit-like that no human ear could detect the sound, just as no eye on earth could see their forms. Without wings, they floated as light as the air itself. The little mermaid discovered that she was shaped like them, and that she was gradually rising up out of the foam.

‘Who are you, toward whom I rise?” she asked, and her voice sounded like those above her, so spiritual that no music on earth could match it.

“We are the daughters of the air,” they answered. “A mermaid has no immortal soul, and can never get one unless she wins the love of a human being. Her eternal life must depend upon a power outside herself. The daughters of the air do not have an immortal soul either, but they can earn one by their good deeds. We fly to the south, where the hot poisonous air kills human beings unless we bring cool breezes. We carry the scent of flowers through the air, bringing freshness and healing balm wherever we go. When for three hundred years we have tried to do all the good that we can, we are given an immortal soul and a share in mankind’s eternal bliss. You, poor little mermaid, have tried with your whole heart to do this too. Your suffering and your loyalty have raised you up into the realm of airy spirits, and now in the course of three hundred years you may earn by your good deeds a soul that will never die.”

The little mermaid lifted her clear bright eyes toward God’s sun, and for the first time her eyes were wet with tears.

On board the ship all was astir and lively again. She saw the Prince and his fair bride in search of her. Then they gazed sadly into the seething foam, as if they knew she had hurled herself into the waves. Unseen by them, she kissed the bride’s forehead, smiled upon the Prince, and rose up with the other daughters of the air to the rose-red clouds that sailed on high.

“This is the way that we shall rise to the kingdom of God, after three hundred years have passed.”

“We may get there even sooner,” one spirit whispered. “Unseen, we fly into the homes of men, where there are children, and for every day on which we find a good child who pleases his parents and deserves their love, God shortens our days of trial. The child does not know when we float through his room, but when we smile at him in approval one year is taken from our three hundred. But if we see a naughty, mischievous child we must shed tears of sorrow, and each tear adds a day to the time of our trial.”

The Traveling Companion

Poor john was greatly troubled, because his father was very ill and could not recover. Except for these two, there was no one in their small room. The lamp on the table had almost burned out, for it was quite late at night.

You have been a good son, John,” his dying father said, “and the Lord will help you along in the world.” He looked at his son with earnest, gentle eyes, sighed deeply, and fell dead as if he were falling asleep.

John cried bitterly, for now he had no one in all the world, neither father nor mother, sister nor brother. Poor John! He knelt at the bedside, and kissed his dead father’s hand. He cried many salty tears, until at last his eyes closed, and he fell asleep with his head resting against the hard bed-stead.

Then he had a strange dream. He saw the sun and the moon bow down to him. He saw his father well again and strong, and heard him laughing as he always laughed when he was happy. A beautiful girl, with a crown of gold on her lovely long hair, stretched out her hand to John, and his father said, “See what a bride you have won. She is the loveliest girl in the world.” Then he awoke, and all these fine things were gone. His father lay cold and dead on the bed, and there was no one with them. Poor John!

The following week the dead man was buried. John walked close behind the coffin; he could no longer see his kind father, who had loved him so. He heard how they threw the earth down upon the coffin, and watched the last corner of it until a shovel of earth hid even that. He was so sad that he felt as if his heart were breaking in pieces. Then those around him sang a psalm which sounded so lovely that tears came to his eyes. He cried, and that did him good in his grief. The sun shone in its splendor down on the green trees, as if to say, “John, you must not be so unhappy. Look up and see how fair and blue the sky is. Your father is there, praying to the good Lord that things will always go well with you.”

“I’ll always be good,” John said. “Then I shall go to join my father in heaven. How happy we shall be to see each other again! How much I shall have to tell him, and how much he will have to show me and to teach me about the joys of heaven, just as he used to teach me here on earth. Oh, what joy that will be!”

He could see it all so clearly that he smiled, even though tears were rolling down his cheeks. The little birds up in the chestnut trees twittered, “Chirp, chirp! Chirp, chirp!” They were so happy and gay, for although they had attended a funeral they knew very well that the dead man had gone to heaven, where he now wore wings even larger and lovelier than theirs. They knew that he was happy now, because here on earth he had been a good man, and this made them glad.

John saw them fly from the green trees far out into the world, and he felt a great desire to follow them. But first he carved a large wooden cross to mark his father’s grave. When he took it there in the evening he found the grave neatly covered with sand and flowers. Strangers had done this, for they had loved the good man who now was dead.

Early the next morning, John packed his little bundle and tucked his whole inheritance into a money belt. All that he had was fifty dollars and a few pieces of silver, but with this he meant to set off into the world. But first he went to the churchyard, where he knelt and repeated the Lord’s Prayer over his father’s grave. Then he said, “Farewell, father dear! Ill always be good, so you may safely pray to our Lord that things will go well with me.”

The fields through which he passed were full of lovely flowers that flourished in the sunshine and nodded in the breeze, as if to say, “Welcome to the green pastures! Isn’t it nice here?” But John turned round for one more look at the old church where as a baby he had been baptised, and where he had gone with his father every Sunday to sing the hymns. High up, in one of the belfry windows, he saw the little church goblin with his pointed red cap, raising one arm to keep the sun out of his eyes. John nodded good-by to him, and the little goblin waved his red cap, put his hand on his heart, and kissed his finger tips to him again and again, to show that he wished John well and hoped that he would have a good journey.

As John thought of all the splendid things he would see in the fine big world ahead of him, he walked on and on – farther away than he had ever gone before. He did not even know the towns through which he passed, nor the people whom he met. He was far away among strangers.

The first night he slept under a haystack in the fields, for he had no other bed. But he thought it very comfortable, and the king himself could have no better. The whole field, the brook, the haystack, and the blue sky overhead, made a glorious bedroom. The green grass patterned with red and white flowers was his carpet. The elder bushes and hedges of wild roses were bouquets of flowers, and for his wash bowl he had the whole brook full of clear fresh water. The reeds nodded their heads to wish him both “Good night,” and “Good morning.” The moon was really a huge night lamp, high up in the blue ceiling where there was no danger of its setting fire to the bed curtains. John could sleep peacefully, and sleep he did, never once waking until the sun rose and all the little birds around him began singing, “Good morning! Good morning! Aren’t you up yet?”

The church bells rang, for it was Sunday. People went to hear the preacher, and John went with them. As he sang a hymn and listened to God’s Word, he felt just as if he were in the same old church where he had been baptised, and where he had sung the hymns with his father.

There were many, many graves in the churchyard, and some were overgrown with high grass. Then John thought of his own father’s grave and of how it too would come to look like these, now that he could no longer weed and tend it. So he knelt down to weed out the high grass. He straightened the wooden crosses that had fallen, and replaced the wreaths that the wind had blown from the graves. “Perhaps,” he thought, “someone will do the same for my fathers grave, now that I cannot take care of it.”

Outside the churchyard gate stood an old beggar, leaning on his crutch and John gave him the few pieces of silver that he had. Happy and high-spirited, John went farther on – out into the wide world. Toward nightfall the weather turned dreadfully stormy. John hurried along as – fast as he could to find shelter, but it soon grew dark. At last he came to a little church which stood very lonely upon a hill. Fortunately the door was ajar, and he slipped inside to stay until the storm abated.

“I’ll sit down here in the corner,” he said, “for I am very tired and need a little rest.” So he sat down, put his hands together, and said his evening prayer. Before he knew it he was fast asleep and dreaming, while it thundered and lightened outside.

When he woke up it was midnight. The storm had passed, and the moon shone upon him through the window. In the middle of the church stood an open coffin and in it lay a dead man, awaiting burial. John was not at all frightened. His conscience was clear, and he was sure that the dead do not harm anyone. It is the living who do harm, and two such harmful living men stood beside the dead one, who had been put here in the church until he could be buried. They had a vile scheme to keep him from resting quietly in his coffin. They intended to throw his body out of the church – the helpless dead man’s body.

Why do you want to do such a thing?” John asked. “It is a sin and a shame. In Heaven’s name, let the man rest.”

“Stuff and nonsense!” the two evil men exclaimed. “He cheated us. He owed us money which he could not pay, and now that he has cheated us by dying we shall not get a penny of it. So we intend to revenge ourselves. Like a dog he shall lie outside the church door.”

“I have only fifty dollars,” John cried. “It is my whole inheritance, but I’ll give it to you gladly if you will solemnly promise to let the poor dead man rest in peace. I can do without the money. I have my healthy, strong arms, and Heaven will always help me.”

“Why certainly,” the villainous fellows agreed. “If you are willing to pay his debt, we won’t lay a hand on him, you can count on that.”

They took the money he gave them and went away roaring with laughter at his simplicity. John laid the body straight again in its coffin, folded its hands, and took his leave. He went away through the great forest, very well pleased.

All around him, wherever moonlight fell between the trees, he saw little elves playing merrily. They weren’t disturbed when he came along because they knew he was a good and innocent fellow. It is only the wicked people who never are allowed to see the elves. Some of the elves were no taller than your finger, and their long yellow hair was done up with golden combs. Two by two, they seesawed on the big raindrops, which lay thick on the leaves and tall grass. Sometimes the drops rolled from under them, and then they tumbled down between the grass blades. The little manikins would laugh and made a great to-do about it, for it was a very funny sight. They sang, and John knew all their pretty little songs, which had been taught him when he was a small boy.

Big spotted spiders, wearing silver crowns, were kept busy spinning long bridges and palaces from one bush to another, and as the tiny dewdrops formed on these webs they sparkled like glass in the moonlight. All this went on until sunrise, when the little elves hid in the buds of flowers. Then the wind struck the bridges and palaces, which were swept away like cobwebs.

John had just come out of the forest, when behind him a man’s strong voice called out, “Ho there, comrade! Where are you bound?

“I’m bound for the wide world,” John told him. “I have neither father nor mother. I am a poor boy, but I am sure the Lord will look after me.”

“I am off to the wide world, too,” the stranger said. “Shall we keep each other company?”

“Yes indeed,” John replied. So they strode along together.

They got to like each other very much, for both of them were kindly. But John soon found that he was not nearly so wise as the stranger, who had seen most of the world, and knew how to tell about almost everything.

The sun was high in the heavens when they sat down under a big tree to eat their breakfast. Just then an old woman came hobbling along. Oh! she was so old that she bent almost double and walked with a crutch. On her back was a load of firewood she had gotten from the forest. Her apron was tied up and John could see these big bunches of fern fronds and willow switches sticking out. As she came near the two travelers, her foot slipped. She fell down, and screamed aloud, for the poor old woman had broken her leg.

John suggested that they carry the woman to her home right away, but the stranger opened up his knapsack and took out a little jar of salve, which he said would mend her leg completely and at once, so that she could walk straight home as well as if her leg had never been broken. But in return he asked for the three bunches of switches that she carried in her apron.

“That’s a very high price!” The old woman dubiously nodded her head. She did not want to give up the switches, but it was not very pleasant to lie there with a broken leg, so she let him have the three bunches. No sooner had he rubbed her with the salve than the old woman got to her feet and walked off much better than she had come – all this the salve could do. Obviously it was not the sort of thing you can buy from the apothecary.

“What on earth do you want with those bunches of switches?” John asked his companion.

“Oh, they are three nice bundles of herbs,” he said. “They just happened to strike my fancy, because I’m an odd sort of fellow.”

When they had gone on for quite a distance, John remarked, “See how dark the sky has grown. Those are dreadfully dense clouds.”

“No,” his comrade said, “those are not clouds. They are mountains – splendid high mountains, where you can get clear above the clouds into perfectly fresh air. It is glorious, believe me. Tomorrow we shall certainly be far up in the world.”

But they were not so near as they seemed to be. It took a whole day to reach the mountains, where the dark forests rose right up to the skies, and where the boulders were almost as large as a whole town. To climb over all of them would be heavy going indeed, so John and his companion went to an inn to rest and strengthen themselves for tomorrow’s journey.

Down in the big tap-room at the inn were many people, because a showman was there with a puppet-show. He had just set up his little theatre, and the people sat there waiting to see the play. Down in front, a burly old butcher had taken a seat, the very best one too, and his big bulldog – how vicious it looked – sat beside him, with his eyes popping as wide as everyone else’s.

Then the play started. It was a very pleasant play, all about a king and a queen who sat on a velvet throne. They wore gold crowns on their heads and long trains to their costumes, all of which they could very well afford. The prettiest little wooden dolls, with glass eyes and big mustaches, stood by to open and shut all the doors so that fresh air might come into the room. It was a very pleasant play, it wasn’t sad at all. But just as the queen rose and swept across the stage – heaven only knows what possessed the big bulldog to do it – as the fat butcher was not holding him, the dog made a jump right on to the stage, snatched up the queen by her slender waist, and crunched her until she cracked in pieces. It was quite tragic!

The poor showman was badly frightened, and quite upset about the queen; for she was his prettiest little puppet, and the ugly bulldog had bitten off her head. But after a while, when the audience had gone, the stranger who had come with John said that he could soon mend her. He produced his little jar, and rubbed the puppet with some of the ointment that had cured the poor old woman who had broken her leg. The moment the salve was applied to the puppet, she was as good as new – nay, better. She could even move by herself, and there was no longer any need to pull her strings. Except hat she could not speak, the puppet was just like a live woman. The showman was delighted that he didn’t have to pull strings for this puppet, who could dance by herself. None of the others could do that.

In the night, after everyone in the inn had gone to bed, someone was heard sighing so terribly, and the sighs went on for so long, that everybody got up to see who it could be. The showman went straight to his little theatre, because the sighs seemed to come from there. All the wooden puppets were in a heap, with the king and his attendants mixed all together, and it was they who sighed so profoundly. They looked so pleading with their big glass eyes, and all of them wanted to be rubbed a little, just as the queen had been, so that they too would be able to move by themselves. The queen went down on her knees and held out her lovely golden crown as if to say: “Take even this from me, if you will only rub my king and his courtiers.”

The poor showman felt so sorry for them that he could not keep back his tears. Immediately he promised the traveling companion to give him all the money he would take in at the next performance, if only he would anoint four or five of the nicest puppets. But the traveling companion said he would not take any payment, except the big sword that hung at the showman’s side. On receiving it he anointed six of the puppets, who began to dance so well that all the girls, the real live girls who were watching, began to dance too. The coachman danced with the cook, and the waiter with the chambermaid. All the guests joined the dance, and the shovel and tongs did too, but these fell down as soon as they took their first step. It was a lively night indeed!

Next morning, John and his companion set off up the lofty mountainside and through the vast pine forests. They climbed so high that at last the church towers down below looked like little red berries among all that greenery. They could see in the distance, many and many a mile away, places where neither of them had ever been. Never before had John seen so many of the glories of this lovely world at once. The sun shone bright in the clear blue air, and along the mountainside he could also hear the hunters sounding their horns. It was all so fair and sweet that tears came into his eyes, and he could not help crying out, “Almighty God, I could kiss your footsteps in thankfulness for all the splendors that you have given us in this world.”

His traveling companion also folded his hands and looked out over the woods and towns that lay before them in the warm sunlight. Just then they heard a wonderful sound overhead. They looked up, and saw a large white swan sweeping above them and singing as they had never before heard any bird sing. But the song became fainter and fainter, until the bird bowed his head and dropped slowly down dead at their feet – the lovely bird!

“Two such glorious wings!” said the traveling companion. “Wings so large and white as these are worth a good deal of money. I’ll take them with me. You can see now what a good thing it was that I got a sword.” With one stroke he cut off both wings of the dead swan, for he wanted to keep them.

They journeyed many and many a mile over the mountains, until at last they saw a great town rise before them, with more than a hundred towers that shone like silver in the sun. In the midst of the town there was a magnificent marble palace, with a roof of red gold. That was where the King lived.

John and his companion did not want to enter the town at once. They stopped at a wayside inn outside the town to put on fresh clothes, for they wanted to look presentable when they walked through the streets. The innkeeper told them what the King was a good man who never harmed anyone. But as for his daughter – Heaven help us – she was a bad Princess.

She was pretty enough. No one could be more lovely or more entertaining than she – but what good did that do? She was a wicked witch, who was responsible for many handsome Princes’ losing their lives. She had decreed that any man might come to woo her. Anybody might come, whether he were Prince or beggar, it made no difference to her, but he must guess the answer to three questions that she asked him. If he knew the answers, she would marry him and he would be King over all the land when her father died. But if he could not guess the right answers, she either had him hanged or had his head chopped off. That was how bad and wicked the beautiful Princess was.

The old King, her father, was terribly distressed about it, but he could not keep her from being so wicked, because he had once told her that he would never concern himself with her suitors – she could do as she liked with them. Whenever a Prince had come to win the Princess’s hand by making three guesses, he had failed. Then he was either hanged or beheaded, for each suitor was warned beforehand, when he was still free to abandon his courtship. The old King was so distressed by all this trouble and grief that for one entire day every year he and all his soldiers went down on their knees to pray that the Princess might reform; but she never would. As a sign of mourning, old women who drank schnapps would dye it black before they quaffed it – so deeply – did they mourn – and more than that they couldn’t do.

“That abominable Princess,” John said, “ought to be flogged. It would be just the thing for her, and if I were the old King I’d have her whipped till her blood ran.”

“Hurrah!” they heard people shout outside the inn. The Princess was passing by, and she was so very beautiful that everyone who saw her forgot how wicked she was, and everyone shouted “Hurrah.” Twelve lovely maidens, all dressed in white silk and carrying golden tulips, rode beside her on twelve coal-black horses. The Princess herself rode a snow-white horse, decorated with diamonds and rubies. Her riding costume was of pure gold, and the whip that she carried looked like a ray of sunlight. The gold crown on her head twinkled like the stars of heaven, and her cloak was made from thousands of bright butterfly wings. But she herself it; was far lovelier than all these things.

When John first set eyes on her, his face turned red – as red as blood – and he could hardly speak a single word. The Princess was the living image of the lovely girl with the golden crown, of whom he had dreamed on the night when his father died. He found the Princess so fair that he could not help falling in love with her.

“Surely,” he thought, “it can’t be true that she is a wicked witch who has people hanged or beheaded when they can’t guess what she asks them. Anyone at all may ask for her hand, even though he is the poorest beggar, so I really will go to the palace, for I cannot help doing it!

Everyone told him he ought not to try it, lest he meet with the same fate that had befallen the others. His traveling companion also tried to persuade him not to go, but John felt sure he would succeed. He brushed his shoes and his coat, washed his face and his hands, and combed his handsome blond hair. Then, all alone, he went through the town to the palace.

“Come in,” the old King said when John came knocking at his door. As John opened it the old King advanced to meet him, wearing a dressing gown and a pair of embroidered slippers. He had his crown on his head, his sceptre in one hand, and his orb in the other. “Just a minute,” he said, tucking the orb under his arm so that he could offer a hand to John. But the moment he heard that John had come as a suitor, he fell to sobbing so hard that both the orb and sceptre dropped to the floor, and he had to use his dressing gown to wipe his eyes. The poor old King!

“Don’t try it!” he said. “You will fare badly like all the others. Come, let me show them to you.”

Then he led John into the Princess’s pleasure garden, where he saw a fearful thing. From every tree hung three or four Kings’ sons who had been suitors of the Princess but had not been able to answer the questions she put to them. The skeletons rattled so in every breeze that they terrified the little birds, who never dared come to the garden. All the flowers were tied to human bones, and human skulls grinned up from every flower pot. What a charming garden for a Princess!

“There!” said the old King, “you see. It will happen to you as it happened to all these you see here. Please don’t try it. You would make me awfully unhappy, for I take these things deeply to heart.

John kissed the good old King’s hand, and said he was sure everything would go well; for he was infatuated with the Princess’s beauty. Just then the Princess and all of her ladies rode into the palace yard, so they went over to wish her good morning. She was lovely to look at, and when she held out her hand to John he fell in love more deeply than ever. How could she be such a wicked witch as all the people called her?

The whole party went to the palace hall, where little pages served them jam and gingerbread. But the old King was so miserable that he couldn’t eat anything at all. Besides, the gingerbread was too hard for his teeth.

It was arranged that John was to visit the palace again the following morning, when the judges and the full council would be assembled to hear how he made out with his answer. If he made out well he would have to come back two more times, but as yet no one had ever answered the first question, so they had forfeited their lives in the first attempt.

However, John was not at all afraid of his trial. Far from it! he was jubilant, and thought only of how lovely the Princess was. He felt sure that help would come to him, though he didn’t know how it would come, and he preferred not to think about it. He fairly danced along the road when he returned to the inn, where his comrade awaited him. John could not stop telling him how nicely the Princess had treated him, and how lovely she was. He said that he could hardly wait for tomorrow to come, when he would go to the palace and try his luck in guessing. But his comrade shook his head, and was very sad.

“I am so fond of you,” he said, “and we might have been comrades together for a long while to come, but now I am apt to lose you soon, poor, dear John! I feel like crying, but I won’t spoil your happiness this evening, which is perhaps the last one we shall ever spend together. We shall be as merry as merry can be, and tomorrow, when you are gone, I’ll have time enough for my tears.”

Everyone in the town had heard at once that the Princess had a new suitor, and therefore everyone grieved. The theatre was closed; the women who sold cakes tied crape around their sugar pigs; the King and the preachers knelt in the churches; and there was widespread lamentation. For they were all sure that John’s fate would be no better than that of all those others.

Late that evening, the traveling companion made a large bowl of punch, and said to John, “Now we must be merry and drink to the health of the Princess.” But when John had drunk two glasses of the punch he felt so sleepy that he couldn’t hold his eyes open, and he fell sound asleep. His comrade quietly lifted him from the chair and put him to bed. As soon as it was entirely dark he took the two large wings he had cut off the swan, and fastened them to his own shoulders. Then he put into his pocket the biggest bunch of switches that had been given him by the old woman who had: fallen and broken her leg. He opened the window and flew straight over the house tops to the palace, where he sat down in a corner under the window which looked into the Princess’s bedroom.

All was quiet in the town until the clock struck a quarter to twelve. Then the window opened and the Princess flew out of it, cloaked in white and wearing long black wings. She soared over the town to a high mountain, but the traveling companion had made himself invisible, so that she could not see him as he flew after her and lashed her so hard with his switch that he drew blood wherever he struck. Ah, how she fled through the air! The wind caught her cloak, which billowed out from her like a sail, and the moonlight shone through it.

“How it hails! how it hails!” the Princess cried at each blow, but it was no more than she deserved.

At last she came to the mountain and knocked on it. With a thunderous rumbling, the mountainside opened and the Princess went in. No one saw the traveling companion go in after her, for he had made himself completely invisible. They went down a big, long passage where the walls were lighted in a peculiar fashion. Thousands of glittering spiders ran along he walls and gave off a fiery glow. Then they entered a vast hall, built of silver and gold. Red and blue blossoms the size of sunflowers covered the walls, but no one could pick them, for the stems were ugly poisonous snakes, and the flowers were flames darting out between their fangs. The ceiling was alive with glittering glow-worms, and sky-blue bats that zapped their transparent wings. The place looked really terrible! A throne in the center of the floor was held up by four horse skeletons in a harness of fiery red spiders. The throne itself was of milk-colored glass, and its cushions consisted of little black mice biting each other’s tails. The canopy above it was made of rose-red spider webs, speckled with charming little green flies that sparkled like emeralds.

On the throne sat an old sorcerer, with a crown on his hideous head and a sceptre in his hand. He kissed the Princess on her forehead, and made her sit with him on the costly throne as the music struck up. Big black grasshoppers played upon mouth-harps, and the owl beat upon his own stomach, because he had no drum. It was a most fantastic concert! Many tiny goblins, with will-o’-the-wisps stuck in their little caps, capered around the hall. Nobody could see the traveling companion, who had placed himself behind the throne, where he could see and hear everything. The courtiers who now appeared seemed imposing and stately enough, but any-one with an observing eye could soon see what it all meant. They were mere cabbage heads stuck upon broomsticks, which the sorcerer had dressed in embroidered clothes and conjured into liveliness. But that didn’t matter, for they were only needed to keep up appearances.

After the dance had gone on for a while, the Princess told the sorcerer that she had a new suitor, and she asked what question she should put to him when he came to the palace tomorrow.

“Listen to me,” said the sorcerer, “I’ll tell you what; you must think of something commonplace and then he will never guess what it is. Think of one of your shoes. He won’t guess that. Then off with his head, and when you come tomorrow night remember to fetch me his eyes, so that I may eat them.”

The Princess made a low curtsey, and promised not to forget about the eyes. The sorcerer opened the mountain for her, and she flew homeward. But the traveling companion flew behind her and thrashed her so hard with his switch that she bitterly complained of the fearful hailstorm, and made all the haste she could to get back through the open window of her bedroom. The traveling companion flew back to the inn, where John was still asleep. Taking off the wings he tumbled into bed, for he had good reason to feel tired.

It was very early the next morning when John awoke. When his comrade arose he told John of a very strange dream he had had about the Princess and one of her shoes. He begged him to ask the Princess if she didn’t have one of her shoes in mind. This, of course, was what he had overheard the sorcerer say in the mountain, but he didn’t tell John about that. He merely told him to be sure to guess that the Princess had her shoe in mind.

“I may as well ask about that as anything else,” John agreed. “Maybe your dream was true, for I have always thought that God would look after me. However, I’ll be saying good-by, because if I guess wrong I shall never see you again.”

They embraced, and John went straight through the town and up to the palace. The whole hall was packed with people. The judges sat in their armchairs, with eiderdown pillows behind their heads because they had so much to think about, and the old King stood there wiping his eyes with a white handkerchief. Then the Princess entered. She was even lovelier than she was the day before, and she bowed to everyone in the most agreeable fashion. To John she held out her hand and wished him, “Good morning to you.”

John was required to guess what she had in mind. She looked at him most charmingly until she heard him say the one word “shoe.” Her face turned chalk-white and she trembled from head to foot. But there was nothing she could do about it. His guess was right.

Merciful Heavens! How glad the old King was. He turned heels over head for joy, and everyone applauded both his performance and that of John, who had guessed rightly the first time.

The traveling companion beamed with delight when he heard how well things had gone. But John clasped his hands together and thanked God, who he was sure would help him through the two remaining trials. The following day he was to guess again.

That evening went by just like the previous one. As soon as John was asleep, his comrade flew behind the Princess to the mountain and thrashed her even harder than before, for this time he had taken two scourges of switches. No one saw him, but he heard all that was said. The Princess was to think of her glove, and he told this to John as if he had dreamed it.

Naturally, John had no trouble in guessing correctly, and there was unbounded rejoicing in the palace. The whole court turned heels over head as they had seen the King do on the first occasion. But the Princess lay on her sofa, without a word to say. Now everything depended on John’s answer to the third question. If it was right, he would get the lovely Princess and inherit the whole kingdom after the old King died. But if he guessed wrong, he would forfeit his life, and the wizard would eat his beautiful blue eyes.

That evening John said his prayers, went to bed early, and fell serenely asleep. But his comrade tied the wings to his back, buckled the sword to his side, took all three scourges of switches, and flew off to the palace.

The night was pitch black. A gale blew so hard that it swept tiles from the roofs. In the garden where the skeletons dangled, the trees bent before the blast like reeds. Lightning flashed every moment, and thunder kept up one unbroken roar the whole night through. The window was flung open, and out flew the Princess. She was deathly pale, but she laughed at the weather and thought it was not bad enough. Her white cloak lashed about in the wind like the sail of a ship, and the traveling companion thrashed her with his three switches until blood dripped to the ground. She could scarcely fly any farther, but at last she came to the mountain.

“How it hails and blows!” she said. “I have never been out in such weather.”

“One may get too much of a good thing,” the sorcerer agreed.

Now she told him how John had guessed right a second time, and if he succeeded again tomorrow, then he won, and never again could she come out to him in the mountains. Never again could she perform such tricks of magic as before, and therefore she felt very badly about it.

“He won’t guess it this time,” said the sorcerer. “I shall hit upon something that he will never guess unless he’s a greater magician than I am. But first let’s have our fun.

He took the Princess by both hands, and they danced around with all the little goblins and will-o’-the-wisps that were in the hall. The red spiders spun merrily up and down the walls, the fiery flowers seemed to throw off sparks, the owl beat the drum, the crickets piped, and the black grasshoppers played on mouth organs. It was an extremely lively ball.

After they had danced a while the Princess had to start home, for fear that she might be missed at the castle. The sorcerer said he would go with her, to enjoy that much more of her company.

Away they flew through the storm, and the traveling companion wore out all three scourges on their backs. Never had the sorcerer felt such a hailstorm. As he said good-by to the Princess outside the palace, he whispered to her, “Think of my head.”

But the traveling companion overheard it, and just at the moment when the Princess slipped in through her window and the sorcerer was turning around, he caught him by his long black beard, and with the sword he cut the sorcerer’s ugly head off, right at the shoulders, so that the sorcerer himself didn’t even see it. He threw the body into the sea for the fishes to eat, but the head he only dipped in the water, wrapped it in his silk handkerchief, and took it back to the inn, where he lay down to sleep.

Next morning he gave John the handkerchief but told him not to open it until the Princess asked him to guess what she had thought about.

The hall was so full of people that they were packed together as closely as radishes tied together in a bundle. The judges sat in their chairs with the soft pillows. The old King had put on his new clothes, and his crown and sceptre had been polished to look their best. But the Princess was deathly pale, and she wore black, as if she were attending a funeral.

“Of what have I thought?” she asked John. He at once untied the handkerchief, and was quite frightened himself when he saw the sorcerer’s hideous head roll out of it. Everyone there shuddered at this terrible sight, but the Princess sat like stone, without a word to say. Finally she got up and gave John her hand, for his guess was good. She looked no one in the face, but sighed and said:

“You are my master now. Our wedding will be held this evening.”

“I like that!” the old King shouted. “This is as things should be.”

All the people shouted “Hurrah!” The military band played in the streets, the bells rang out, and the cake women took the crape off their sugar pigs, now that everyone was celebrating. Three entire oxen stuffed with ducks and chickens were roasted whole in the center of the market square, and everyone could cut himself a piece of them. The fountains spurted up the best of wine. Whoever bought a penny bun at the bakery got six large buns thrown in for good measure, and all the buns had raisins in them.

That evening the entire town was illuminated. The soldiers fired their cannon, and the boys set off firecrackers. At the palace there was eating and drinking, dancing and the clinking of glasses. All the lordly gentlemen and all the lovely ladies danced together. For a long way off you could hear them sing:

“Here are many pretty girls, and don’t they love to dance!
See them hop and swing around whenever they’ve a chance.
Dance! my pretty maid, anew, till the sole flies of your shoe.

But the Princess was still a witch, and she had no love for John at all. His comrade kept this in mind, and gave him three feathers from the swan’s wings, and a little bottle with a few drops of liquid in it. He said that John must put a large tub of water beside the Princess’s bed, and just as she was about to get in bed he must give her a little push, so that she would tumble into the tub. There he must dip her three times, after he had thrown the feathers and the drops of liquid into the water. That would free her from the spell of sorcery, and make her love him dearly.

John did everything his companion had advised him to do, though the Princess shrieked as he dipped her into the water, and struggled as he held her in the shape of a large black swan with flashing eyes. The second time, she came out of the water as a swan entirely white except for a black ring around its neck. John prayed hard, and as he forced the bird under the water once more it changed into the beautiful Princess. She was fairer than ever, and she thanked him with tears in her beautiful eyes for having set her free from the sorcerer’s spell.

In the morning the old King came with all his court, and congratulations lasted all through the day. Last of all came John’s traveling companion; he had his stick in his hand and the knapsack on his back. John embraced him time and again, and said that he must not leave-them. He must stay here with John, who owed all his happiness to him. But the traveling companion shook his head. Gently and kindly he said:

“No, my time is now up. I have done no more than pay my debt to you. Do you remember the dead man whom the wicked men wanted to harm? You gave all that you had so that he might have rest in his grave. I am that dead man.” And at once he disappeared.

The wedding celebration lasted a whole month. John and his Princess loved each other dearly, and the old King lived on for many a happy day to let their little children ride astride his knee and play with his sceptre. But it was John who was King over all the land.

The Naughty Boy

Once upon a time there was an old poet-one of those good, honest old poets. One evening, as he was sitting quietly in his home, a terrible storm broke out-the rain poured down in torrents-but the old poet sat warm and cozy in his study, for a fire blazed brightly in his stove and roasting apples sizzled and hissed beside it.

“There won’t be a dry stitch on anybody out in this rain,” he told himself. You see, he was a very kindhearted old poet.

“Oh, please open the door for me! I’m so cold and wet!” cried a little child outside his house. Then it knocked at the door, while the rain poured down and the wind shook all the windows.

“Why, the poor little child!” cried the old poet as he hurried to open the door. Before him stood a naked little boy, with the water streaming down from his yellow hair! He was shivering, and would certainly have perished in the storm had he not been let in.

“You poor little fellow!” said the poet again, and took him by the hand. “Come in, and we’ll soon have you warmed up! I shall give you some wine and a roasted apple, for you’re such a pretty little boy.”

And he really was pretty! His eyes sparkled like two bright stars, and his hair hung in lovely curls, even though the water was still streaming from it. He looked like a little angel, but he was pale with the cold and shivering in every limb. In his hand he held a beautiful little bow-and-arrow set, but the bow had been ruined by the rain, and all the colors on the arrows had run together.

The old poet quickly sat down by the stove and took the little boy on his knee. He dried the child’s hair, rubbed the blue little hands vigorously, and heated some sweet wine for him. And pretty soon the little boy felt better; the roses came back to his cheeks, and he jumped down from the old man’s lap and danced around the old poet.

“You’re a cheerful boy,” laughed the old man. “What’s your name?”

“My name is Cupid,” was the reply. “Don’t you know me? There lies my bow, and I can certainly shoot with it, too. Look, the storm is over and the moon is shining!”

“Yes,” the old poet said, “but I’m afraid the rain has spoiled your bow.”

“That would be a shame,” replied the little boy as he looked the bow over carefully. “No, it’s already dry again, and the string is good and tight. No damage done. I guess I’ll try it.” Then he fitted an arrow to his bow, aimed it, and shot the good old poet right through the heart!

“Do you see now that my bow is not spoiled?” he said laughingly, and ran out of the house. Wasn’t he a naughty boy to shoot the good old poet who had been so kind to him, taken him into his warm room, and given him his delicious wine and his best apple?

The good poet lay on the floor and wept, because he really had been shot right through the heart. “What a naughty boy that Cupid is!” he cried. “I must warn all the good children, so that they will be careful and never play with him. Because he will certainly do them some harm!” So he warned all the good children, and they were very careful to keep away from that naughty Cupid.

But he is very clever and he tricks them all the time. When the students are going home from the lectures, he runs beside them, with a black coat on and a book under his arm. They don’t recognize him, but they take his arm, thinking he is a student, too, and then he sends his arrows into their hearts. And when the girls are in church to be confirmed, he is likely to catch them and shoot his darts into them. Yes, he is always after people!

In the theater he sits up in the big chandelier, burning so brightly that people think he’s a lamp, but they soon find out better. He runs about the king’s garden and on the rampart, and once he even shot your father and mother right through the heart! Just ask them, and you’ll hear what they say.

Yes, he’s a bad boy, this Cupid-you had better never have anything to do with him, for he is after all of you. And what do you think? A long time ago he even shot an arrow into your poor old grandmother! The wound has healed up, but she will never forget it.

Saucy Cupid! But now you know all about him, and what a naughty boy he is!

Thumbelina

There once was a woman who wanted so very much to have a tiny little child, but she did not know where to find one. So she went to an old witch, and she said:

“I have set my heart upon having a tiny little child. Please could you tell me where I can find one?”

“Why, that’s easily done,” said the witch. “Here’s a grain of barley for you, but it isn’t at all the sort of barley that farmers grow in their fields or that the chickens get to eat. Put it in a flower pot and you’ll see what you shall see.”

“Oh thank you!” the woman said. She gave the witch twelve pennies, and planted the barley seed as soon as she got home. It quickly grew into a fine large flower, which looked very much like a tulip. But the petals were folded tight, as though it were still a bud.

“This is such a pretty flower,” said the woman. She kissed its lovely red and yellow petals, and just as she kissed it the flower gave a loud pop! and flew open. It was a tulip, right enough, but on the green cushion in the middle of it sat a tiny girl. She was dainty and fair to see, but she was no taller than your thumb. So she was called Thumbelina.

A nicely polished walnut shell served as her cradle. Her mattress was made of the blue petals of violets, and a rose petal was pulled up to cover her. That was how she slept at night. In the daytime she played on a table where the woman put a plate surrounded with a wreath of flowers. Their stems lay in the water, on which there floated a large tulip petal. Thumbelina used the petal as a boat, and with a pair of white horsehairs for oars she could row clear across the plate-a charming sight. She could sing, too. Her voice was the softest and sweetest that anyone ever has heard.

One night as she lay in her cradle, a horrible toad hopped in through the window-one of the panes was broken. This big, ugly, slimy toad jumped right down on the table where Thumbelina was asleep under the red rose petal.

“Here’s a perfect wife for my son!” the toad exclaimed. She seized upon the walnut shell in which Thumbelina lay asleep, and hopped off with it, out the window and into the garden. A big broad stream ran through it, with a muddy marsh along its banks, and here the toad lived with her son. Ugh! he was just like his mother, slimy and horrible. “Co-ax, co-ax, brek-ek-eke-kex,” was all that he could say when he saw the graceful little girl in the walnut shell.

“Don’t speak so loud, or you will wake her up,” the old toad told him. “She might get away from us yet, for she is as light as a puff of swan’s-down. We must put her on one of the broad water lily leaves out in the stream. She is so small and light that it will be just like an island to her, and she can’t run away from us while we are making our best room under the mud ready for you two to live in.”

Many water lilies with broad green leaves grew in the stream, and it looked as if they were floating on the surface. The leaf which lay furthest from the bank was the largest of them all, and it was to this leaf that the old toad swam with the walnut shell which held Thumbelina.

The poor little thing woke up early next morning, and when she saw where she was she began to cry bitterly. There was water all around the big green leaf and there was no way at all for her to reach the shore. The old toad sat in the mud, decorating a room with green rushes and yellow water lilies, to have it looking its best for her new daughter-in-law. Then she and her ugly son swam out to the leaf on which Thumbelina was standing. They came for her pretty little bed, which they wanted to carry to the bridal chamber before they took her there.

The old toad curtsied deep in the water before her, and said:

“Meet my son. He is to be your husband, and you will share a delightful home in the mud.”

“Co-ax, co-ax, brek-ek-eke-kex,” was all that her son could say.

Then they took the pretty little bed and swam away with it. Left all alone on the green leaf, Thumbelina sat down and cried. She did not want to live in the slimy toad’s house, and she didn’t want to have the toad’s horrible son for her husband. The little fishes who swam in the water beneath her had seen the toad and heard what she had said. So up popped their heads to have a look at the little girl. No sooner had they seen her than they felt very sorry that anyone so pretty should have to go down to live with that hideous toad. No, that should never be! They gathered around the green stem which held the leaf where she was, and gnawed it in two with their teeth. Away went the leaf down the stream, and away went Thumbelina, far away where the toad could not catch her.

Thumbelina sailed past many a place, and when the little birds in the bushes saw her they sang, “What a darling little girl.” The leaf drifted further and further away with her, and so it was that Thumbelina became a traveler.

A lovely white butterfly kept fluttering around her, and at last alighted on the leaf, because he admired Thumbelina. She was a happy little girl again, now that the toad could not catch her. It was all very lovely as she floated along, and where the sun struck the water it looked like shining gold. Thumbelina undid her sash, tied one end of it to the butterfly, and made the other end fast to the leaf. It went much faster now, and Thumbelina went much faster too, for of course she was standing on it.

Just then, a big May-bug flew by and caught sight of her. Immediately he fastened his claws around her slender waist and flew with her up into a tree. Away went the green leaf down the stream, and away went the butterfly with it, for he was tied to the leaf and could not get loose.

My goodness! How frightened little Thumbelina was when the May-bug carried her up in the tree. But she was even more sorry for the nice white butterfly she had fastened to the leaf, because if he couldn’t free himself he would have to starve to death. But the May-bug wasn’t one to care about that. He sat her down on the largest green leaf of the tree, fed her honey from the flowers, and told her how pretty she was, considering that she didn’t look the least like a May-bug. After a while, all the other May-bugs who lived in the tree came to pay them a call. As they stared at Thumbelina, the lady May-bugs threw up their feelers and said:

“Why, she has only two legs-what a miserable sight!”

“She hasn’t any feelers,” one cried.

“She is pinched in at the waist-how shameful! She looks like a human being-how ugly she is!” said all of the female May-bugs.

Yet Thumbelina was as pretty as ever. Even the May-bug who had flown away with her knew that, but as every last one of them kept calling her ugly, he at length came to agree with them and would have nothing to do with her-she could go wherever she chose. They flew down out of the tree with her and left her on a daisy, where she sat and cried because she was so ugly that the May-bugs wouldn’t have anything to do with her.

Nevertheless, she was the loveliest little girl you can imagine, and as frail and fine as the petal of a rose.

All summer long, poor Thumbelina lived all alone in the woods. She wove herself a hammock of grass, and hung it under a big burdock leaf to keep off the rain. She took honey from the flowers for food, and drank the dew which she found on the leaves every morning. In this way the summer and fall went by. Then came the winter, the long, cold winter. All the birds who had sung so sweetly for her flew away. The trees and the flowers withered. The big burdock leaf under which she had lived shriveled up until nothing was left of it but a dry, yellow stalk. She was terribly cold, for her clothes had worn threadbare and she herself was so slender and frail. Poor Thumbelina, she would freeze to death! Snow began to fall, and every time a snowflake struck her it was as if she had been hit by a whole shovelful, for we are quite tall while she measured only an inch. She wrapped a withered leaf about her, but there was no warmth in it. She shivered with cold.

Near the edge of the woods where she now had arrived, was a large grain field, but the grain had been harvested long ago. Only the dry, bare stubble stuck out of the frozen ground. It was just as if she were lost in a vast forest, and oh how she shivered with cold! Then she came to the door of a field mouse, who had a little hole amidst the stubble. There this mouse lived, warm and cozy, with a whole store-room of grain, and a magnificent kitchen and pantry. Poor Thumbelina stood at the door, just like a beggar child, and pled for a little bit of barley, because she hadn’t had anything to eat for two days past.

“Why, you poor little thing,” said the field mouse, who turned out to be a kind-hearted old creature. “You must come into my warm room and share my dinner.” She took such a fancy to Thumbelina that she said, “If you care to, you may stay with me all winter, but you must keep my room tidy, and tell me stories, for I am very fond of them.” Thumbelina did as the kind old field mouse asked and she had a very good time of it.

“Soon we shall have a visitor,” the field mouse said. “Once every week my neighbor comes to see me, and he is even better off than I am. His rooms are large, and he wears such a beautiful black velvet coat. If you could only get him for a husband you would be well taken care of, but he can’t see anything. You must tell him the very best stories you know.”

Thumbelina did not like this suggestion. She would not even consider the neighbor, because he was a mole. He paid them a visit in his black velvet coat. The field mouse talked about how wealthy and wise he was, and how his home was more than twenty times larger than hers. But for all of his knowledge he cared nothing at all for the sun and the flowers. He had nothing good to say for them, and had never laid eyes on them. As

Thumbelina had to sing for him, she sang, “May-bug, May-bug, fly away home,” and “The Monk goes afield.” The mole fell in love with her sweet voice, but he didn’t say anything about it yet, for he was a most discreet fellow.

He had just dug a long tunnel through the ground from his house to theirs, and the field mouse and Thumbelina were invited to use it whenever they pleased, though he warned them not to be alarmed by the dead bird which lay in this passage. It was a complete bird, with feather and beak. It must have died quite recently, when winter set in, and it was buried right in the middle of the tunnel.

The mole took in his mouth a torch of decayed wood. In the darkness it glimmered like fire. He went ahead of them to light the way through the long, dark passage. When they came to where the dead bird lay, the mole put his broad nose to the ceiling and made a large hole through which daylight could fall. In the middle of the floor lay a dead swallow, with his lovely wings folded at his sides and his head tucked under his feathers. The poor bird must certainly have died of the cold. Thumbelina felt so sorry for him. She loved all the little birds who had sung and sweetly twittered to her all through the summer. But the mole gave the body a kick with his short stumps, and said, “Now he won’t be chirping any more. What a wretched thing it is to be born a little bird. Thank goodness none of my children can be a bird, who has nothing but his ‘chirp, chirp’, and must starve to death when winter comes along.”

“Yes, you are so right, you sensible man,” the field mouse agreed. “What good is all his chirp-chirping to a bird in the winter time, when he starves and freezes? But that’s considered very grand, I imagine.”

Thumbelina kept silent, but when the others turned their back on the bird she bent over, smoothed aside the feathers that hid the bird’s head, and kissed his closed eyes.

“Maybe it was he who sang so sweetly to me in the summertime,” she thought to herself. “What pleasure he gave me, the dear, pretty bird.”

The mole closed up the hole that let in the daylight, and then he took the ladies home. That night Thumbelina could not sleep a wink, so she got up and wove a fine large coverlet out of hay. She took it to the dead bird and spread it over him, so that he would lie warm in the cold earth. She tucked him in with some soft thistledown that she had found in the field mouse’s room.

“Good-by, you pretty little bird,” she said. “Good-by, and thank you for your sweet songs last summer, when the trees were all green and the sun shone so warmly upon us.” She laid her head on his breast, and it startled her to feel a soft thump, as if something were beating inside. This was the bird’s heart. He was not dead- he was only numb with cold, and now that he had been warmed he came to life again.

In the fall, all swallows fly off to warm countries, but if one of them starts too late he gets so cold that he drops down as if he were dead, and lies where he fell. And then the cold snow covers him.

Thumbelina was so frightened that she trembled, for the bird was so big, so enormous compared to her own inch of height. But she mustered her courage, tucked the cotton wool down closer around the poor bird, brought the mint leaf that covered her own bed, and spread it over the bird’s head.

The following night she tiptoed out to him again. He was alive now, but so weak that he could barely open his eyes for a moment to look at Thumbelina, who stood beside him with the piece of touchwood that was her only lantern.

“Thank you, pretty little child,” the sick swallow said. “I have been wonderfully warmed. Soon I shall get strong once more, and be able to fly again in the warm sunshine.”

“Oh,” she said, “It’s cold outside, it’s snowing, and freezing. You just stay in your warm bed and I’ll nurse you.”

Then she brought him some water in the petal of a flower. The swallow drank, and told her how he had hurt one of his wings in a thorn bush, and for that reason couldn’t fly as fast as the other swallows when they flew far, far away to the warm countries. Finally he had dropped to the ground. That was all he remembered, and he had no idea how he came to be where she found him.

The swallow stayed there all through the winter, and Thumbelina was kind to him and tended him with loving care. She didn’t say anything about this to the field mouse or to the mole, because they did not like the poor unfortunate swallow.

As soon as spring came and the sun warmed the earth, the swallow told Thumbelina it was time to say good-by. She reopened the hole that the mole had made in the ceiling, and the sun shone in splendor upon them. The swallow asked Thumbelina to go with him. She could sit on his back as they flew away through the green woods. But Thumbelina knew that it would make the old field mouse feel badly if she left like that, so she said:

“No, I cannot go.”

“Fare you well, fare you well, my good and pretty girl,” said the swallow, as he flew into the sunshine. Tears came into Thumbelina’s eyes as she watched him go, for she was so fond of the poor swallow.

“Chirp, chirp!” sang the bird, at he flew into the green woods.

Thumbelina felt very downcast. She was not permitted to go out in the warm sunshine. Moreover, the grain that was sown in the field above the field mouse’s house grew so tall that, to a poor little girl who was only an inch high, it was like a dense forest.

“You must work on your trousseau this summer,” the field mouse said, for their neighbor, that loathsome mole in his black velvet coat, had proposed to her. “You must have both woolens and linens, both bedding and wardrobe, when you become the mole’s wife.”

Thumbelina had to turn the spindle, and the field mouse hired four spiders to spin and weave for her day and night. The mole came to call every evening, and his favorite remark was that the sun, which now baked the earth as hard as a rock, would not be nearly so hot when summer was over. Yes, as soon as summer was past he would be marrying Thumbelina. But she was not at all happy about it, because she didn’t like the tedious mole the least bit. Every morning at sunrise and every evening at sunset, she would steal out the door. When the breeze blew the ears of grain apart she could catch glimpses of the blue sky. She could dream about how bright and fair it was out of doors, and how she wished she would see her dear swallow again. But he did not come back, for doubtless he was far away, flying about in the lovely green woods.

When fall arrived, Thumbelina’s whole trousseau was ready.

“Your wedding day is four weeks off,” the field mouse told her. But Thumbelina cried and declared that she would not have the tedious mole for a husband.

“Fiddlesticks,” said the field mouse. “Don’t you be obstinate, or I’ll bite you with my white teeth. Why, you’re getting a superb husband. The queen herself hasn’t a black velvet coat as fine as his. Both his kitchen and his cellar are well supplied. You ought to thank goodness that you are getting him.”

Then came the wedding day. The mole had come to take Thumbelina home with him, where she would have to live deep underground and never go out in the warm sunshine again, because he disliked it so. The poor little girl felt very sad that she had to say good-by to the glorious sun, which the field mouse had at least let her look out at through the doorway.

“Farewell, bright sun!” she said. With her arm stretched toward it she walked a little way from the field mouse’s home. The grain had been harvested, and only the dry stubble was left in the field. “Farewell. farewell!” she cried again, and flung her little arms around a small red flower that was still in bloom. “If you see my dear swallow, please give him my love.”

“Chirp, chirp! Chirp, chirp!” She suddenly heard a twittering over her head. She looked up and there was the swallow, just passing by. He was so glad to see Thumbelina although, when she told him how she hated to marry the mole and live deep underground where the sun never shone, she could not hold back her tears.

“Now that the cold winter is coming,” the swallow told her, “I shall fly far, far away to the warm countries. Won’t you come along with me? You can ride on my back. Just tie yourself on with your sash, and away we’ll fly, far from the ugly mole and his dark hole-far, far away, over the mountains to the warm countries where the sun shines so much fairer than here, to where it is always summer and there are always flowers. Please fly away with me, dear little Thumbelina, you who saved my life when I lay frozen in a dark hole in the earth.”

“Yes, I will go with you!” said Thumbelina. She sat on his back, put her feet on his outstretched wings, and fastened her sash to one of his strongest feathers. Then the swallow soared into the air over forests and over lakes, high up over the great mountains that are always capped with snow. When Thumbelina felt cold in the chill air, she crept under the bird’s warm feathers, with only her little head stuck out to watch all the wonderful sights below.

At length they came to the warm countries. There the sun shone far more brightly than it ever does here, and the sky seemed twice as high. Along the ditches and hedgerows grew marvelous green and blue grapes. Lemons and oranges hung in the woods. The air smelled sweetly of myrtle and thyme. By the wayside, the loveliest children ran hither and thither, playing with the brightly colored butterflies.

But the swallow flew on still farther, and it became more and more beautiful. Under magnificent green trees, on the shore of a blue lake there stood an ancient palace of dazzling white marble. The lofty pillars were wreathed with vines, and at the top of them many swallows had made their nests. One nest belonged to the swallow who carried Thumbelina.

“This is my home,” the swallow told her. “If you will choose one of those glorious flowers in bloom down below, I shall place you in it, and you will have all that your heart desires.”

“That will be lovely,” she cried, and clapped her tiny hands.

A great white marble pillar had fallen to the ground, where it lay in three broken pieces. Between these pieces grew the loveliest large white flowers. The swallow flew down with Thumbelina and put her on one of the large petals. How surprised she was to find in the center of the flower a little man, as shining and transparent as if he had been made of glass. On his head was the daintiest of little gold crowns, on his shoulders were the brightest shining wings, and he was not a bit bigger than Thumbelina. He was the spirit of the flower. In every flower there lived a small man or woman just like him, but he was the king over all of them.

“Oh, isn’t he handsome?” Thumbelina said softly to the swallow. The king was somewhat afraid of the swallow, which seemed a very giant of a bird to anyone as small as he. But when he saw Thumbelina he rejoiced, for she was the prettiest little girl he had ever laid eyes on. So he took off his golden crown and put it on her head. He asked if he might know her name, and he asked her to be his wife, which would make her queen over all the flowers. Here indeed was a different sort of husband from the toad’s son and the mole with his black velvet coat. So she said “Yes” to this charming king. From all the flowers trooped little ladies and gentlemen delightful to behold. Every one of them brought Thumbelina a present, but the best gift of all was a pair of wings that had belonged to a large silver fly. When these were made fast to her back, she too could flit from flower to flower. Everyone rejoiced, as the swallow perched above them in his nest and sang his very best songs for them. He was sad though, deep down in his heart, for he liked Thumbelina so much that he wanted never to part with her.

“You shall no longer be called Thumbelina,” the flower spirit told her. ” That name is too ugly for anyone as pretty as you are. We shall call you Maia.”

“Good-by, good-by,” said the swallow. He flew away again from the warm countries, back to far-away Denmark, where he had a little nest over the window of the man who can tell you fairy tales. To him the bird sang, “Chirp, chirp! Chirp, chirp!” and that’s how we heard the whole story.

Little Ida’s Flowers

“My poor flowers are quite dead,” said little Ida. “They were so pretty last evening, but now every leaf has withered and drooped. Why do they do that?” she asked the student who sat on the sofa.

She was very fond of him because he told such good stories and could cut such amusing figures out of paper-hearts with dancing ladies inside them, flowers of all sorts, and castles with doors that you could open and close. He was a rollicking fellow.

“Why do my flowers look so ill today?” she asked him again, and showed him her withered bouquet.

“Don’t you know what’s the matter with them?” the student said. “They were at the ball last night, that’s why they can scarcely hold up their heads.”

“Flowers can’t dance,” said little Ida.

“Oh, indeed they can,” said the student. “As soon as it gets dark and we go to sleep, they frolic about in a fine fashion. Almost every night they give a ball.”

“Can’t children go to the ball?”

“Little daisies can go. So can lilies of the valley.”

“Where do the prettiest flowers dance?” Ida asked.

“Haven’t you often visited the beautiful flower garden just outside of town, around the castle where the King lives in the summertime? You remember-the place where swans swim close when you offer them bread crumbs. Believe me! that’s where the prettiest flowers dance.”

“Yesterday I was there with my mother,” said Ida, “but there wasn’t a leaf on the trees, or a flower left. Where are they? Last summer I saw ever so many.”

“They are inside the castle, of course,” said the student. “Confidentially, just as soon as the King comes back to town with all of his court, the flowers run from the garden into the castle and enjoy themselves. You should see them. The two loveliest roses climb up on the throne, where they are the king and the queen. All the red coxcombs line up on either side, to stand and bow like grooms of the bedchamber. Then all the best dressed flowers come, and the grand ball starts. The blue violets are the naval cadets. Their partners, whom they call ‘Miss,’ are hyacinths and crocuses. The tulips and tiger lilies are the old chaperones, who see to it that the dancing is done well and that everyone behaves properly.”

“But”, said little Ida, “doesn’t anybody punish the flowers for dancing in the King’s own castle?”

“Nobody knows a thing about it,” said the student. “To be sure, there’s the old castle keeper, who is there to watch over things. Sometimes he comes in the night with his enormous bunch of keys. But as soon as the flowers hear the keys jangle they keep quiet, and hide, with only their heads peeking out from behind the curtains. Then the old castle keeper says, ‘I smell flowers in here.’ But he can’t see any.”

“What fun!” little Ida clapped her hands. “But couldn’t I see the flowers either?”

“Oh easily,” said the student. “The very next time you go there, remember to peep in the windows. There you will see them, as I did today. A tall yellow lily lay stretched on the sofa, pretending to be a lady-in-waiting.”

Can the flowers who live in the botanical gardens visit the castle? Can they go that far?”

“Why certainly. They can fly all the way if it suits them. Haven’t you seen lovely butterflies-white, yellow, and red ones? They almost look like flowers, and that’s really what they used to be. They are flowers, who have jumped up off their stems, high into the air. They beat the air with their petals, as though these were little wings, and so they manage to fly. If they behave themselves nicely, they get permission to fly all day long, instead of having to go home and sit on their stems. In time their petals turn into real wings. You’ve seen them yourself. However, it’s quite possible that the botanical garden flowers have never been to the King’s castle and don’t know anything about the fun that goes on there almost every night. Therefore I’ll tell you how to arrange a surprise for the botanical professor. You know the one I mean-he lives quite near here. Well, the next time you go to the garden, tell one of his flowers that they are having a great ball in the castle. One flower will tell the others, and off they’ll fly. When the professor comes out in the garden not one flower will he find, and where they’ve all gone he will never be able to guess.”

“How can a flower tell the others?” You know flowers can’t speak.”

“They can’t speak,” the student agreed, “but they can signal. Haven’t you noticed that whenever the breeze blows the flowers nod to one another, and make signs with their leaves. Why, it’s as plain as talk.”

“Can the professor understand their signs?”

“Certainly he can. One morning he came into his garden and saw a big stinging nettle leaf signaling to a glorious red carnation, ‘You are so beautiful, and I love you so much.’ But the professor didn’t like that kind of thing, so he slapped the nettle’s leaves, for they are its fingers. He was stung so badly that he hasn’t laid hands on a stinging nettle since.”

“Oh, how jolly!” little Ida laughed.

“How can anyone stuff a child’s head with such nonsense?” said the prosy councilor, who had come to call and sit on the sofa too. He didn’t like the student a bit. He always grumbled when he saw the student cut out those strange, amusing pictures-sometimes a man hanging from the gallows and holding a heart in his hand to show that he had stolen people’s hearts away; sometimes an old witch riding a broomstick and balancing her husband on her nose. The councilor highly disapproved of those, and he would say as he said now, ” How can anyone stuff a child’s head with such nonsense-such stupid fantasy?”

But to little Ida, what the student told her about flowers was marvelously amusing, and she kept right on thinking about it. Her flowers couldn’t hold their heads up, because they were tired out from dancing all night. Why they must be ill. She took them to where she kept her toys on a nice little table, with a whole drawer full of pretty things. Her doll, Sophie, lay asleep in the doll’s bed, but little Ida told her:

“Sophie, you’ll really have to get up, and be satisfied to sleep in the drawer tonight, because my poor flowers are ill. Maybe, if I let them sleep in your bed tonight, they will get well again.”

When she took the doll up, Sophie looked as cross as could be, and didn’t say a word. She was sulky because she couldn’t keep her own bed.

Ida put the flowers to bed, and tucked the little covers around them. She told them to be good and lie still, while she made them some tea, so that they would get well and be up and about tomorrow. She carefully drew the curtains around the little bed, so the morning sun would not shine in their faces.

All evening long she kept thinking of what the student had said, before she climbed into bed herself. She peeped through the window curtains at the fine potted plants that belonged to her mother-hyacinths and tulips, too. She whispered very softly, “I know you are going to the ball tonight.”

But the flowers pretended not to understand her. They didn’t move a leaf. But little Ida knew all about them.

After she was in bed, she lay there for a long while thinking how pleasant it must be to see the flowers dance in the King’s castle. “Were my flowers really there?” she wondered. Then she fell asleep. When she woke up again in the night, she had been dreaming of the flowers, and of the student, and of the prosy councilor who had scolded him and had said it was all silly nonsense. It was very still in the bedroom where Ida was. The night lamp glowed on the table, and Ida’s mother and father were asleep.

“Are my flowers still asleep in Sophie’s bed?” Ida wondered. “That’s what I’d like to know.”

She lifted herself a little higher on her pillow, and looked towards the door which stood half open. In there were her flowers and all her toys. She listened, and it seemed to her that someone was playing the piano, very softly and more beautifully than she had ever heard it played.

“I’m perfectly sure that those flowers are all dancing,” she said to herself. “Oh, my goodness, wouldn’t I love to see them.” But she did not dare get up, because that might awaken her father and mother.

“I do wish the flowers would come in here!” she thought. But they didn’t. The music kept playing, and it sounded so lovely that she couldn’t stay in bed another minute. She tiptoed to the door, and peeped into the next room. Oh, how funny-what a sight she saw there!

No night lamp burned in the next room, but it was well lighted just the same. The moonlight streamed through the window, upon the middle of the floor, and it was almost as bright as day. The hyacinths and the tulips lined up in two long rows across the floor. Not one was left by the window. The flowerpots stood there empty, while the flowers danced gracefully around the room, making a complete chain and holding each other by their long green leaves as they swung around.

At the piano sat a tall yellow lily. Little Ida remembered it from last summer, because the student had sad, “Doesn’t that lily look just like Miss Line?” Everyone had laughed at the time, but now little Ida noticed that there was a most striking resemblance. When the lily played it had the very same mannerisms as the young lady, sometimes bending its long, yellow face to one side, sometimes to the other, and nodding in time with the lovely music.

No one suspected that little Ida was there. She saw a nimble blue crocus jump up on the table where her toys were, go straight to the doll’s bed, and throw back the curtains. The sick flowers lay there, but they got up at once, and nodded down to the others that they also wanted to dance. The old chimney-sweep doll, whose lower lip was broken, rose and made a bow to the pretty flowers. They looked quite themselves again as they jumped down to join the others and have a good time.

It seemed as if something clattered off the table. Little Ida looked, and saw that the birch wand, that had been left over from Mardigras time, was jumping down as if he thought he were a flower too. The wand did cut quite a flowery figure, with his paper rosettes and, to top him off, a little wax figure who had a broad trimmed hat just like the one that the councilor wore.

The wand skipped about on his three red wooden legs, and stamped them as hard as he could, for he was dancing the mazurka. The flowers could not dance it, because they were too light to stamp as he did.

All of a sudden, the wax figure grew tall and important. He whirled around to the paper flowers beside him, and said, “How can anyone stuff a child’s head with such nonsense-such stupid fantasy?” At that moment he was a perfect image of the big-hatted councilor, just as sallow and quite as cross. But the paper flowers hit back. They struck his thin shanks until he crumpled up into a very small wax manikin. The change was so ridiculous that little Ida could not keep from laughing.

Wherever the sceptered wand danced the councilor had to dance too, whether he made himself tall and important or remained a little wax figure in a big black hat. The real flowers put in a kind word for him, especially those who had lain ill in the doll’s bed, and the birch wand let him rest.

Just then they heard a loud knocking in the drawer where Ida’s doll, Sophie, lay with the other toys. The chimney-sweep rushed to the edge of the table, lay flat on his stomach and managed to pull the drawer out a little way. Sophie sat up and looked around her, most surprised.

“Why, they are having a ball!” she said “Why hasn’t somebody told me about it?”

“Won’t you dance with me?” the chimney-sweep asked her.

“A fine partner you’d be!” she said, and turned her back on him.

She sat on the edge of the drawer, hoping one of the flowers would ask her to dance, but not one of them did, She coughed, “Hm, hm, hm!” and still not one of them asked her. To make matters worse, the chimney-sweep had gone off dancing by himself, which he did pretty well.

As none of the flowers paid the least attention to Sophie, she let herself tumble from the drawer to the floor with a bang. Now the flowers all came running to ask, “Did you hurt yourself?” They were very polite to her, especially those who had slept in her bed. But she wasn’t hurt a bit. Ida’s flowers thanked her for the use of her nice bed, and treated her well. They took her out in the middle of the floor, where the moon shone, and danced with her while all the other flowers made a circle around them. Sophie wasn’t at all cross now. She said they might keep her bed. She didn’t in the least mind sleeping in the drawer.

But the flowers said, “Thank you, no. We can’t live long enough to keep your bed. Tomorrow we shall be dead. Tell little Ida to bury us in the garden, next to her canary bird’s grave. Then we shall come up again next summer, more beautiful than ever.”

“Oh, you mustn’t die,” Sophie said, and kissed all the flowers.

Then the drawing room door opened, and many more splendid flowers tripped in. Ida couldn’t imagine where they had come from, unless – why, they must have come straight from the King’s castle. First came two magnificent roses, wearing little gold crowns. These were the king and the queen. Then. Then came charming gillyflowers and carnations, who greeted everybody. They brought the musicians along. Large poppies and peonies blew upon pea pods until they were red in the face. Blue hyacinths and little snowdrops tinkled their bells. It was such funny music. Many other flowers followed them, and they all danced together, blue violets with pink primroses, and daisies with the lilies of the valley.

All the flowers kissed one another, and that was very pretty to look at. When the time came to say good night, little Ida sneaked back to bed too, where she dreamed of all she had seen.

As soon as it was morning, she hurried to her little table to see if her flowers were still there. She threw back the curtain around the bed. Yes, they were there, but they were even more faded than yesterday. Sophie was lying in the drawer where Ida had put her. She looked quite sleepy.

“Do you remember what you were to tell me?” little Ida asked.

But Sophie just looked stupid, and didn’t say one word.

“You are no good at all,” Ida told her. “And to think how nice they were to you, and how all of them danced with you.”

She opened a little pasteboard box, nicely decorated with pictures of birds, and laid the dead flowers in it.

“This will be your pretty coffin,” she told them. “When my cousins from Norway come to visit us, they will help me bury you in the garden, so that you may come up again next summer and be more beautiful than ever.”

Her Norwegian cousins were two pleasant boys named Jonas and Adolph. Their father had given them two new crossbows, which they brought with them for Ida to see. She told them how her poor flowers had died, and they got permission to hold a funeral. The boys marched first, with their crossbows on their shoulders. Little Ida followed, with her dead flowers in their nice box. In the garden they dug a little grave. Ida first kissed the flowers, and then she closed the box and laid it in the earth. Adolph and Jonas shot their crossbows over the grave, for they had no guns or cannons.

The Princess and the Pea

Once there was a Prince who wanted to marry a Princess. Only a real one would do. So he traveled through all the world to find her, and everywhere things went wrong. There were Princesses aplenty, but how was he to know whether they were real Princesses? There was something not quite right about them all. So he came home again and was unhappy, because he did so want to have a real Princess.

One evening a terrible storm blew up. It lightened and thundered and rained. It was really frightful! In the midst of it all came a knocking at the town gate. The old King went to open it.

Who should be standing outside but a Princess, and what a sight she was in all that rain and wind. Water streamed from her hair down her clothes into her shoes, and ran out at the heels. Yet she claimed to be a real Princess.

“We’ll soon find that out,” the old Queen thought to herself. Without saying a word about it she went to the bedchamber, stripped back the bedclothes, and put just one pea in the bottom of the bed. Then she took twenty mattresses and piled them on the pea. Then she took twenty eiderdown feather beds and piled them on the mattresses. Up on top of all these the Princess was to spend the night.

In the morning they asked her, “Did you sleep well?”

” Oh!” said the Princess. “No. I scarcely slept at all. Heaven knows what’s in that bed. I lay on something so hard that I’m black and blue all over. It was simply terrible.”

They could see she was a real Princess and no question about it, now that she had felt one pea all the way through twenty mattresses and twenty more feather beds. Nobody but a Princess could be so delicate. So the Prince made haste to marry her, because he knew he had found a real Princess.

As for the pea, they put it in the museum. There it’s still to be seen, unless somebody has taken it.

There, that’s a true story.

Gesammelte Märchen

H. C. Andersens Gesammelte Märchen / illustriert von Ludwig Richter [and others]; mit etwd 150 in den Text gedruckten Holzschnitten und 11 grossen getonten Kunstblättern sowie 6 Feder-Lithographien von Th. Hosemann.

Hans Christian Andersen’s Fairy Tales Collected / illustrated by Ludwig Richter [ and others ] ; etwd with 150 printed in the text woodcuts and 11 large art toned leaves and 6 spring – lithographs by Th . Hosemann .

(In my Hathi account)

http://hdl.handle.net/2027/wu.89087622411?urlappend=%3Bseq=665

http://hdl.handle.net/2027/wu.89087622411

Many (all?) Pedersen’s images included

Text in German

Need year

Some new things

 

See also…

H.C. Andersen’s Ausgewählte Märchen : Deutsch von Julius Reuscher / illustriert von Ludwig Richter, Paul Thumann, Theodor Hosemann, Graf Pocci und Oscar Pletsch ; mit 60 in den Text gedruckten…

Dohm, Janice, , Pletsch, Oscar, 1830-1888., Pocci, Franz, Graf von, 1807-1876., Hosemann, Theodor. , Thumann, Paul. , Richter, Ludwig, 1803-1884., Reuscher, Julius.

Leipzig [Germany] : Abel & Müller, 1874.

http://hdl.handle.net/2027/mdp.39015088632768

http://hdl.handle.net/2027/mdp.39015088632768?urlappend=%3Bseq=1

 

Image sources:

Vintage German Illustrators, part 1 and 2

http://tolovajwordsmith.hubpages.com/hub/german-illustrators#

http://tolovajwordsmith.hubpages.com/hub/german_illustrators

 

Suchergebnis: HANS CHRISTIAN ANDERSEN

http://www.akg-images.de/C.aspx?VP3=SearchResult&VBID=2UMESQ7NQMIE8